Music Releases 11-29-19
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Starting with the following year’s Under Wires And Searchlights, they’ve created an explorative body of instrumental work that’s shifted between electronica, dub, minimalism, avant-jazz and ambient music. Along the way they’ve collaborated with the likes of Jah Wobble, remixed Max Richter and Vök and provided soundtracks for art installations and other visual media. They’ve also had their own music remixed by Biosphere and Japan’s Steve Jansen, among others.
The new album offers ample evidence of a band in its prime. Marconi Union still sound vital and original, enthused by the possibilities that music has to offer. “We’ve never wanted to repeat ourselves,” states Talbot. “We’ve made ten albums and have been going for 17 years, but it still feels fresh. That’s been so important for us all the way through. We’re looking to do new things all the time” co-founder Richard Talbot says.
Indeed, the exquisite Dead Air bears only a passing resemblance to its 2016 forerunner, Ghost Stations. The trio have dispensed with beats, brass and guest musicians this time around, opting instead for a more intimate and textural approach, a constantly evolving soundworld of tones and sensory impressions. Dead Air also bears little resemblance to the trio’s initial vision for it. “The album we set out to make had far more of a rhythmic element,” explains Talbot, “but fairly late in the process, we decided to completely change direction.” This is entirely in keeping with Marconi Union’s guiding methodology. Ideas remain fluid throughout the writing process, until Talbot and bandmates Jamie Crossley and Duncan Meadows ultimately settle on what feels right to them.
As such, Dead Air is a sublime testament to their collective instinct.
Marconi Union’s most successful album to date is Weightless (Ambient Trans- missions Vol. 2). ‘Weightless is widely considered to be ‘the most relaxing track in the world’
Experimental hip-hop group Clipping’s “The Deep” is a dark sci-fi tale about the underwater-dwelling descendants of African women thrown off slave ships, based on the mythology of Detroit electronic group Drexciya. The song was originally commissioned for a This American Life about Afrofuturism in 2017. The track earned Clipping a nomination for a 2018 Hugo award, and the band constructed a sound installation based on “The Deep” at the Massachusetts Museum of Contemporary Art. This release comes on the heels of the November 5th release of The Deep, a novella by Rivers Solomon (with Clipping credited as co-authors) inspired by the title track and published by Saga Press. The vinyl and digital versions include two otherwise-unreleased extra tracks – including “Aquacode Databreaks,” which features Shabazz Palaces – and the vinyl edition includes instrumental versions of all three tracks.
EXO's 6th Album 'OBSESSION' (EXO & X-EXO Ver.) will be released on November 27th. The album features total 10 songs in various colors & genre, including powerful and catchy title song, 'Obsession', which will be out in both Korean and Chinese version. One of two covers (EXO & X-EXO Ver.) will be supplied at random. The album includes 6 photo books, 1 folded poster (random 1 out of 6), 1 initial-only poster (folded, random 1 out of 7), 1 photo slide (random 1 out of 6), and 1 photo card (random 1 out of 12). All are different per version. This is an official release from SM Entertainment and will count towards Billboard and Gaon charts.
Kim Richey celebrates the 20th anniversary of her album Glimmer with, A Long Way Back: The Songs of Glimmer, featuring new recordings of the songs from Kim's classic album. Produced by Doug Lancio, who also plays most of the instruments, A Long Way Back. . . allowed Kim to reinterpret these songs and give them a fresh, yet timeless sound. Other musicians on the album include Nielsen Hubbard and Dan Mitchell. The First Edition LP is pressed on cloudy sky colored vinyl and includes a handwritten/signed note from Kim Richey. Download code includes all 14 album tracks
Thomas Dolby’s breakthrough 1982 record “The Golden Age of Wireless” is reissued on special 140g Splatter Vinyl and 1CD. Remastered, this release includes the singles "Airwaves", "One Of Our Submarines" and the international hit single “She Blinded Me With Science”.
Sweden’s Opeth are preparing to release their most important record to date with “In Cauda Venenum”. Certainly, fans and critics will have their opinion, but few records in the Swedes’ oeuvre are as engaging, delicate, panoramic, intense, and musical as Opeth’s lucky thirteenth. Sporting a clever Travis Smith cover—replete with inside jokes and a nod to King Diamond—a masterful Park Studios (The Hellacopters, Graveyard) production, Opeth’s usual five-star musicianship, and lyrics entirely in Swedish, “In Cauda Venenum” raises the bar markedly. While a record in Swedish is a first—there’s also an English version—for frontman and founding member Mikael Åkerfeldt, the 10 songs on offer feel and sound completely natural. As if years of listening to and being a fan of Swedish rock and hard rock has paid off. In a way, Opeth have come home. But the Swedish lyrics of the primary edition of “In Cauda Venenum” shouldn’t distract from the quality presented in Opeth’s new songs, the lot of which sneak up and take control after repeated listens. “In Cauda Venenum” is like that, tricky in its complicated simplicity, resourceful in its ability to charm with delightful if wistful melodies. Really, it’s just Opeth being Opeth.
British indie rock band The Wedding Present, was formed in Leeds in 1985. Led by guitarist/vocalist David George, the group's only constant member. Their brilliant debut album, George Best, featuring the singles ''Everyone Thinks He Looks Daft,'' ''My Favourite Dress,'' ''Anyone Can Make a Mistake'' and ''Shatner'' is available one more from [PIAS].
Shortly after the release of their 1985 debut, George Best, The Wedding Present gathered all their pre-LP singles and EPs onto a single album. Available once more on [PIAS], Tommy is the definitive look at their early work and remains one of the great albums of the mid-80's indie UK scene.
New Vinyl: $31.99 Buy