Passenger is Mike Rosenberg, the Brighton-born singer/songwriter known for busking his way to the global hit “Let Her Go” which topped the charts in 19 countries. Produced by Rosenberg, along with longtime collaborator Chris Vallejo, the new album is largely inspired by the North American landscape and geography, both musically and lyrically, and taps into Rosenberg’s family roots in New Jersey. This brings a fresh new approach and sound, and speaks to the road going traveler in all of us.
For the last three years, Heidecker has been waging a hellish war of upon the current presidential administration and its shady minions. Whether because of his unrelenting Twitter prodding of Trump, his spot-on impersonation of Info Wars’ Alex Jones or his well of caustic Trump protest songs, Heidecker has found himself in the crosshairs of the Online alt-right community. At some point, one of those Incel or QAnon trolls started a vicious rumor that Tim’s wife had, in fact, left him and the rumor caught fire across certain social channels. Instead of getting pissed off, our protagonist (antagonist?) Tim Heidecker got inspired. He knows full well that here in the music biz nothing breeds good tunes like utter heartbreak. When an artist’s relationship crumbles, we label suits just rub our greedy little mitts together. From Blood on the Tracks to Shoot Out The Lights, it’s a nearly universal truth: Divorce is a hit factory. So he imagined himself an awful divorce and let the hits flow.
Working with producer Jonathan Rado (Father John Misty, Whitney, Weyes Blood), Heidecker has delivered his most accomplished album to date. In addition to being absolutely gutting, the soulful “Im Not Good Enough” is a masterclass in less-is-more songwriting. In just over two minutes, the soulful dirge brushes confidently against a big, “Hey Jude” melody before gently coming to a close and leaving your wanting more. It beckons you over to the turn table to reset the needle. The jaunty, Nilsson-nodding live favorite “When I Get Up” is perhaps one more joyful tunes about crushing depression we’ve heard. For a song about succumbing to the void in your bedridden funk, it’s got a lot of pep in its step. The closing piano ballad “Life’s Too Long,” is as close to a resolution as Heidecker will give us. “Life’s too long to stay in love,” he croons, a mournful organ the songs only accouterment. Enjoy the bittersweet moment and be thankful that Heidecker wraps up What The Brokenhearted Do... as he does, because next chapter for this divorcee is probably a midlife crisis full of neck tattoos and sports car debt.
Following the group’s 1985 formation, Guns N’ Roses injected unbridled attitude into the burgeoning Los Angeles rock scene. They went on to captivate the entire world with the July 21, 1987 release of Appetite For Destruction, which remains the best-selling U.S. debut album ever, moving over 30 million copies globally. Appetite features such indelible tracks such as the No. 1 single “Sweet Child O’ Mine,” “Welcome To The Jungle,” “Nightrain,” and “Paradise City.”
The Appetite For Destruction: Super Deluxe Edition features 4CDs including the album newly remastered for the first time ever; B-sides N’ EPs newly remastered; the previously unreleased 1986 Sound City Session N’ More recordings; a Blu-ray Audio disc with the album, bonus tracks and music videos in brand new 5.1 surround sound along with the unearthed music video for “It’s So Easy” originally shot in 1989 but never finished; and a 96-page hardcover book showcasing unseen photos from Axl Rose’s personal archive and wealth of memorabilia. In addition, the Super Deluxe Edition contains collectables like never-before-seen band lithos, replica concert tickets, a wall poster, temporary band member tattoos , a Robert Williams painting litho, and a replica “Welcome To The Jungle” video shoot invite flyer originally drawn by Slash.
White Denim's new album 'Performance' collects nine expertly crafted songs that twist and turn, bending genres in the band's unique style. Students of rock music, White Denim has clearly listened to and learned from the best albums ever made from T. Rex to XTC to Little Feat to Jim O'Rourke...but they write songs just dumb enough to drink, dance, and fight to. Rock and roll music that aims for the whole body. Recorded in hometown Austin, Texas in their new Radio Milk studio, Performance displays a band of extraordinary musicians at their creative peak.
Hypochondriac, the third full-length album from San Diego band The Frights, is an album full of addictively catchy songs about fear and frustration. “I’ve gotten better with time, but I’m pretty paranoid about most things, especially health issues—I think everything’s killing me,” says Mikey Carnevale, vocalist/guitarist for The Frights. “That, mixed with anxiety, means that I can be a real baby. All of these songs address this in one way or another.” The album is their first full-length for Epitaph Records, who signed The Frights in early 2018. Produced by FIDLAR frontman Zac Carper, Hypochondriac follows The Frights’ 2016 album You Are Going To Hate This and marks a period of major creative growth for the band (which also includes bassist Richard Dotson, drummer Marc Finn, and guitarist Jordan Clark). “I wrote every song on an acoustic guitar, which is something I made a point to do,” says Carnevale. Throughout Hypochondriac, The Frights build a brilliant tension between their shiny hooks and painful lyrics, their goofball spirit and melancholy outlook. In the end, the album unfolds as their most emotionally honest work so far, just as the band intended it to be.
Sometimes the catalyst for creating great art is simply being in the right place at the right time. For Arthur Buck, the new collaboration between singer-songwriter Joseph Arthur and guitarist Peter Buck, that place was Mexico, and that time was the fall of 2017. Specifically, a little town off the Baja coast named Todos Santos, with the Sierra de la Laguna mountains to the east and the bright blue Pacific stretching out infinitely to the west. It is here that Buck has, for the last several years, held the Todos Santos Music Festival, which he created with his wife, Chloe Johnson, in 2012, shortly after R.E.M. called it a day. Among the many artists who have played the festival is Joseph Arthur, who also happened to leave behind a guitar—a Dobro, specifically—after his last appearance there. And so last year he made the trek down to Todos Santos to pick up the instrument. Which is where he ran into Peter Buck.
That was the beginning of Arthur Buck. The creative result of this relationship is a vibrant 11-song collection that captures the spontaneity at the heart of the project—right down to the 1-2-3-4 count off from Buck that opens the record—with sounds and styles meshed together in an easy, almost playful manner. Tchad Blake was brought in to mix the proceedings, and the result is the new Arthur Buck—the result of a shockingly productive burst of inspiration.
JUNO nominated, Polaris Prize shortlisted Great Lake Swimmers frontman Tony Dekker set out to specifically make an album without any acoustic guitar. Recorded in the 145 year old Bishop Cronyn Memorial Church in London, Ontario and produced by Chris Stringer (The Wooden Sky, Elliot Brood, Timber Timbre), "The Waves, the Wake" releases on August 17, 2018 via Nettwerk.
Thank You for Today, Death Cab for Cutie's ninth studio album, was produced and mixed by Rich Costey (Fiona Apple, Franz Ferdinand, Muse), who also produced the band's last album the GRAMMY® nominated Kintsugi. Thank You for Today marks the first Death Cab for Cutie release to see long time bandmates Gibbard, Nick Harmer, and Jason McGerr joined in the studio by new members Dave Depper (Menomena, Fruit Bats, Corin Tucker, Ray Lamontagne) and Zac Rae (My Brightest Diamond, Fiona Apple, Lana Del Rey, Gnarls Barkley). Depper and Rae have both been part of Death Cab's touring band since 2015. Death Cab for Cutie will celebrate their new album with a much anticipated fall tour. Check out the single "Gold Rush"