Justice share their forthcoming Woman Worldwide album, a new live studio recording of their 2016 album Woman along with stand-out tracks from their 10 year career.
The new album was a result of Xavier and Gaspard adapting their new songs to be played on tour, in the process discovering a new dimension of their live form. After one year of testing, performing, refining and recording them on the road, they went back to the studio in Paris to give them the polish and precision that live performance doesn’t always allow.
One of the most influential artists of a generation and a long-standing member of the Warp Records family, Nightmares On Wax announces his new album Shape The Future. A perfect marriage of soul, hip-hop, dub and timeless club sounds that act as a salvo masterpiece of contemporary and classic genre-blending, brilliantly solidifying Nightmares On Waxs place as an inspirational electronic music figurehead.
Music For The Long Emergency is the collaborative album from Minneapolis-based electronic quintet POLIÇA and European orchestral collective s t a r g a z e. The two bands met for the first time in Berlin in 2016, and while the collaboration started in the same room, the process continued as an 18-month long ''ping pong'' match as the bands exchanged ideas and music over email, mp3 files, video conferencing, and the occasional meet-up in Berlin, Minneapolis, and Eau Claire. Both bands were adamant that whatever they created ''not just be POLIÇA songs with s t a r g a z e pasted on top,'' as POLIÇA vocalist Channy Leaneagh puts it, and the end result is the most adventurous and forward-thinking music either group has made to date.
New Order have announced a new live album, NOMC15, recorded at Brixton Academy in 2015 following the release of their most recent studio LP (and Mute debut) "Music Complete". It features a set consisting of tracks from the new album, as well as cuts from their back catalog and songs by Joy Division.
Vault is a collection of rare, previously unreleased songs that up until now have never been heard by anyone except STRFKR. The band only exists today because of these recordings. Some of these songs were written for STRFKR albums, some were written before or in-between, but they all played a role and influenced what was released under that name.
Is That Light You Carry? is the debut record from Third Culture Kings, a new project led by Jan Johansen (Glorybox) and Alap Momin (dälek). Filtering classic vibes through modern interpretation, 3CK reimagine The Velvet Underground or Leonard Cohen if they had been mixed by King Tubby and Afrika Bambaataa all the while incorporating influences as diverse as Indian drone, early 80’s synth pads and Miami booty bass. Still, it’s worth noting that there’s nothing about these recordings that’s rooted in the past: nearly every sound on the record - sans lead vocals and guitar - were created or recorded directly to an IPhone. Momin created the beats, bass and majority of synth lines on his device, while Johansen then recorded backing vocals, second guitar, vibraphone, piano, horns, rhodes, and melodica as voice memos that were eventually dropped on top of the finished tracks.
There are few acts claiming to channel Vangelis and Suicide at the same time, and even fewer that also shout out their love of Doo Wop, UK Bass, and Chicago House in the same breath, but this international duo manage to strike all those notes and more. Veteran performers who’ve outlasted endless trends and toured the world for the better part of the last two decades, Third Culture Kings aren’t afraid to stretch the boundaries of style. The eclectic, yet cohesive group of songs in their live shows complement bills featuring everything from shoegaze to commercial R&B.
Marking Numan's 22nd full-length of his career, Savage follows 2013's Splinter (Songs From a Broken Mind). Produced by Ade Fenton and recorded in Los Angeles and the UK, the record was largely written during the last presidential election. Trump's victory and climate policies became Numan's twisted inspiration, leading to a concept album set in a post-global warming apocalypse. A press release describes the concept best: "There is no technology left and most of the planet has turned to a desolate desert wasteland. Food is scarce, water even more so, and human kindness and decency are just a dim and distant memory. Western and Eastern cultures have merged, more because of the need to simply survive than any feelings of greater tolerance or understanding. It's a harsh, savage environment, as are the survivors who still roam across it." "The songs are about the things that people do in such a harsh and terrifying environment," Numan said in a statement. "It's about a desperate need to survive and they do awful things in order to do so, and some are haunted by what they've done. That desire to be forgiven, along with some discovered remnants of an old religious book, ultimately encourages religion to resurface, and it really goes downhill from there."
Kllo, an electronic pop collaboration between Melbourne cousins Chloe Kaul and Simon Lam, waded in figurative backwater for much of 2016, amidst an extensive world tour. These were exciting times; the duo's Well Worn EP furthered the promise of 2014 EP Cusp, receiving millions of streams and landing Kllo on festival stages as well as Artists-to-Watch lists. Nonetheless, the stretch kept them far from home, isolated and vulnerable, treading through perpetual uncharted territory while yearning for the comforts of the familiar. Kllo have officially come out the other end of the stilted estuary with twelve compositions cultivated to feel timeless and crafted, and equally current. The duo’s debut full length - and their most realized work to date - Backwater celebrates the ephemeral and the enduring changes in emotion, the downfalls and the dissolves. It’s an album that parts course with its flow, and flourishes in a lowland.
Tricky returns with his 13th album, ununiform, out in September on his own label False Idols via !K7 Music. It's a delicate, storming, intricate album that sees Tricky take perhaps his most radical step yet a journey into happiness and contentment. It's a record that shows the legendary British producer confront his legacy, history, family & even death itself. And in all of this, he finds the strangest, least familiar thing & peace.
Can you recall how happy you felt when your all-time favorite Trance tune filled the air around you at a massive Trance event? Does the prospect of an all-classics live set fill your heart with joy? What if we said that you can get that feeling anytime you want, wherever you are? With 'A State Of Trance Classics Vol. 12', you've got the history of Trance music within arm's reach. Stacked full of timeless productions from the likes of Above & Beyond, Armin van Buuren, ATB, Chicane, Cosmic Gate, Gareth Emery, Markus Schulz, Paul van Dyk, Signum, Super8 & Tab and more, this monumental twelfth edition in the 'A State Of Trance Classics' series can turn any moment into a trip down memory lane. A must-have for all who look back on the early years of Trance with a smile brighter than the sun, 'A State Of Trance Classics Vol. 12' is here to stir the embers of ancient hits and fuel the fire that is your love for Trance music.
The Bloody Beetroots and Sir Bob Cornelius Rifo’s discography features a string of successful EPs and two full length albums (2009’s Roborama and 2013’s Hide)—including collaborations with Sir Paul McCartney, Tommy Lee, Steve Aoki, Peter Frampton and many more. Clubs, theaters and festivals around the world have thrilled to different incarnations of The Bloody Beetroots’ incendiary live show. Form Coachella to Lollapalooza to Governor’s Ball to Big Day Out, The Bloody Beetroots Live have entertained millions across 6 continents. But he doesn’t just want to entertain audiences; he strives to engage and challenge them, emotionally and intellectually. And he’s increasing articulate in his pursuit of that goal. For his new album, The Bloody Beetroots is working closely with myriad artists, including Perry Farrell of Janes Addiction, Jay Buchanan of Rival Sons, Wade McNeil from Gallows, San Diego Cholo Goth duo Prayers, Deap Valley, Australian singer Nic Cester and Jet, and many more. The audience has been hearing Bob’s music in campaigns by BMW, Fiat, YSL, Lancome and media like CSI, Vice, Star Trek, Entourage, Teen Wolf, Hawaii Five-O, Need for Speed, Moto GP and many others.
Pioneers, philosophers, trailblazers, in short: prophets always have to assemble their flocks abroad before they find due recognition in their homelands. This also applies to the German art form KMFDM. Whether in the US, Japan, Australia or elsewhere - for over a quarter of a century they are the epitome and synonym for a musical style of the harder variety: Industrial Rock.
Now KMFDM are preparing to release their first new studio album in over 3 years entitled "HELL YEAH" on August 18th via earMUSIC. An EP, "YEAH!" was released earlier to whet fans appetite and features some great remixes. Lead single HELL YEAH is an instant KMFDM classic with its ultra-heavy beat and Sascha Konietzko s trademark cynical lyrics. The album ranges from songs that are sometimes political "FAKE NEWS", "TOTAL STATE MACHINE" to more techno/dance tracks "MURDER MY HEART" and "Rx 4 THE DAMNED" diverse like the band itself, the songs are sometimes political, sometimes with ironic lyrics and an underlying humorous edge but 100% KMFDM.
With its cover artwork having been created by Aidan Hughes aka BRUTE!, HELL YEAH will be available on 1CD Digipak, 2LP Gatefold (180 Gram/45 RPM) and Digital.