Indie Exclusive Releases

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Robert Ellis

Hello. I'm Robert Ellis, The Texas Piano Man. I wanted to take a moment to say a few words about this record and what you might expect from it. Texas Piano Man is a collection of songs specifically written for my piano driven Rock & Roll band from the great state of Texas. Myself and the guys bring these songs to you in the very spirit of Texas itself; loudly, confidently, over the top, larger than life, at times deadly serious and yet always with a wink and a smile. We invite you to come on in, stay a while, and when you leave take with you the spirit of these songs, the spirit of Texas, and the spirit of The Texas Piano Man himself. Adios!

Robert Ellis
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The Lemonheads

Because this edition is so limited, it is available for in store purchase only. Come on in!

The Lemonheads
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Bob Mould

Single LP on opaque yellow & red swirl vinyl in same packaging as standard LP.  Includes coupon for full download

The cliché that circulated after the 2016 election foretold a new artistic golden age: Artists would transform their anger and anxiety into era-defining works of dissent in the face of authoritarianism.

Yet Bob Mould calls his new album Sunshine Rock.

It’s not because Mould—whose face belongs on the Mount Rushmore of alternative music—likes the current administration. His decision to “write to the sunshine,” as he describes it, comes from a more personal place—a place found in Berlin, Germany, where he’s spent the majority of the last three years. Here Mould would draw inspiration from the new environments.

Bob Mould
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Jessica Pratt

Jessica Pratt is not a loud performer. She does not have to be. In a club of a few hundred, even the bar staff are known to go quiet while she's on stage. Her third album, Quiet Signs, feels like a distillation of this power. The album leads off with "Opening Night," a nod to Gena Rowlands' harrowing, brilliant performance in the John Cassavetes film of the same name. It’s also an emblem of where this spare, mysterious collection of songs falls in the course of Pratt’s career.

"On some level I considered an audience while making the last record (2015's On Your Own Love Again)," she writes, "But my creative world was still very private then and I analyzed the process less. This was the first time I approached writing with the idea of a cohesive record in mind."

After a collection of demos and early studio recordings (Jessica Pratt, Birth Records, 2012) earned her a small, dedicated audience, Pratt moved from San Francisco to Los Angeles and recorded her first intentional album in her bedroom in a matter of months. That album, On Your Own Love Again (Drag City, 2015), would bring her around the world many times, leading many to fall under the spell of Jessica Pratt the performer, the songwriter, the singer with the heavy-lidded voice that feels alien and familiar at the same time.

Her first album fully recorded in a professional studio setting, Quiet Signs finds Pratt's songwriting and accompanying guitar work refined -- more distinct and direct. Songs like "Fare Thee Well" and "Poly Blue" retain glimmers of OYOLA's hazy day afternoon spells, yet delicate flute, strings sustained by organ arrangements, and rehearsal room piano now gesture towards the lush chamber pop and longing of The Left Banke. On the album’s first single, "This Time Around," Pratt hits on a profound, late-night clarity over just a couple of deep chords, evoking Caetano Veloso's casual seaside brilliance. And before the curtain drops on Quiet Signs, Pratt provides a show-stopping closer, "Aeroplane."

In the world of Quiet Signs, the black of night usually represents fear, despair, resignation; finally at home descending towards the illuminated city, she sings over black leather drone and tambourine shuffle with a newfound resolve. Quiet Signs is the journey of an artist emerging from the darkened wings, growing comfortable as a solitary figure on a sprawling stage.

The album was written in Los Angeles and recorded at Gary's Electric in Brooklyn, NY over 2017 and 2018. It was co-produced by Al Carlson. He plays flute, organ and piano on some songs. Matt McDermott also played piano and string synthesizer. It will be released on Mexican Summer on February 8, 2019.

Jessica Pratt
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FIDLAR

Almost Free, the new release from FIDLAR touches on many of the tragedies and irritations of modern life: existential dread, gentrification, the inescapable sway of the super-rich and the self-involved, post-breakup telecommunication, performative wokeness, the loneliness of sobriety or the lack thereof. But through sheer force of imagination and an unchecked joie de vivre, the L.A.-based band manages to turn feeling wrong into something glorious and essential. In the age of joyless self-care, Almost Free makes a brilliant case for being less careful, for living without fear of fucking up, and possibly embracing any incurred damage as a lucky symptom of being alive. The album sees the band pushing boundaries into new territory and influences while staying true to their unshakable core. "A lot of the vibe was, 'Well, why can't we do that? Why can't we have horns? Why can't we have key changes? Why can't we have a harmonica loop?', said lead singer/guitarist Zac Carper. It was abouttaking the ceiling off. Having it be limitless. Ain't no rules." Elvis added "Almost Free feels like a step forward for us in a lot of ways. We tried to be true to ourselves and let the music come out naturally, without fear of how people would receive it.

FIDLAR
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Karen O & Danger Mouse

**LIMITED EDITION - INSTORE ONLY**

Icons KAREN O and DANGER MOUSE (a.k.a. Brian Burton) unveil their first recording as a duo, “LUX PRIMA”. The song is the first to be released from a forthcoming joint album. “After making music for the past twenty years and embarking on making this record with Brian I knew a couple things: one was that the spirit of collaboration between us was going to be a pure one, and two was that the more I live the less is clear to me,” said O. “When you create from a blurry place you can go places further than you’ve ever been. I think we both were excited to go far out.” “LUX PRIMA” is the first release from iconic Yeah Yeah Yeahs frontwoman KAREN O and legendary musician-producer DANGER MOUSE. In addition to four albums with Yeah Yeah Yeahs and a solo album, Crush Songs, Grammy-nominated O has contributed to soundtracks for Where The Wild Things Are and Her, for which she was nominated for an Oscar. Grammy- winning artist DANGER MOUSE’s projects include Gnarls Barkley, Broken Bells and Danger Doom as well as work with Adele, Gorillaz, ASAP Rocky and beyond.

Karen O & Danger Mouse
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Various Artists

This holiday LP is brimming with jazz rarities plucked from the Prestige, Contemporary, and Debut label vaults. Notable artists include pianist Bobby Timmons, known for playing with Chet Baker and here contributing covers of "White Christmas" and "You're All I Want For Christmas," and tenor saxophone greats Dexter Gordon and Eddie "Lockjaw" Davis, each performing spirited takes on "The Christmas Song." The Christmas Collection songs, most of which are long out-of-print, have been remastered from original audio tapes and then pressed on festive translucent red vinyl. Remastered from the original tapes by Paul Blakemore at CMG Mastering and lacquers cut by Kevin Gray at Cohearent Audio. Pressed on translucent red vinyl at RTI.

Various Artists
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The 1975

The 1975’s highly anticipated third studio album A Brief Inquiry Into Online Relationships will be released on Friday, November 30th via Dirty Hit / Interscope Records. Their debut album The 1975 is now platinum with their most recently released album I like it when you sleep, for you are so beautiful yet so unaware of it surpassing Gold after having debuted at #1 on the Billboard Top 200.

The 1975
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Reverend Horton Heat

“I’m afraid I’m on the Willie Nelson retirement program, which means I’ll never retire,” promises Jim Heath, sounding every inch a Texan.

By day, Jim Heath is a mild-mannered musical historian well-versed in the birthing days of rock and roll. But when the sun goes down, he straps on his signature Gretsch 6120, steps up to the mike and is transformed into REVEREND HORTON HEAT, a hellfire-spewing, rock and roll dare-demon.

Jim’s tome is iconic: From recording with Lemmy Kilmister, being revered by country music legends like Johnny Cash, Carl Perkins and Screamin’ Jay Hawkins, touring with Soundgarden, ZZ Top, The Cramps, Social Distortion, White Zombie and the Sex Pistols (a young Lydon was connected to Jim’s original 1985 demo), to providing touring opps to upstarts Kyuss, Hank III, Marilyn Manson and countless others across decades on the road.

Heath and longtime confidant and slap-bass general Jimbo Wallace have polished up their 12th release, Whole New Life, which Heath calls “the most positive material I have ever written. It focuses heavily on rock and roll but there is a human interest parallel - songs about growing up poor, vices, marriage, having children and walking the rapturous streets of America.”

Reverend Horton Heat
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Daniel Romano

DANIEL ROMANO FINALLY FREE Finally Free marks Daniel Romanos eighth long playing album in the last eight years. He has had what understatedly would be considered a prolific output of incredibly entrancing, poignant and creative records in this span of time. Recording, producing, designing and landing his records into the minds and hearts of scores of fans the world over. He has been called a shapeshifter, contrived, a chameleon, a Charlatan, the best living songwriter, an asshole and a genius. His last record, Modern pressure received outstandingly high acclaim and praise from every notable publication out there and was acknowledged by most reputable for-profit-prize-corporations as well as a plethora of voguish music-as-competitive-sport year end lists. Despite being the bronze placeholder in most of these dogfights, he is most often noted as a person of astounding influence on all of his musically economic successors. No matter what he does, everything he puts out is better than anything else being put out by anyone else. Unnamed Subjugate.

Daniel Romano
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Meshuggah

Formed in the college town of Umeå in northern Sweden in 1987, MESHUGGAH have spent the last twenty plus years and cumulative thirteen releases developing, exploring, and redefining their complex, inimitable approach on the art of expressing their collective Id. An entity that has not sounded like anyone else in over thirteen years, MESHUGGAH are one of the few purely and honestly lateral-thinking forces genuinely dedicated to pushing the boundaries of extreme music simply because doing so comes naturally to them. Unafraid to take risks and tackle new experiences, they create albums you can listen to six years later and still discover things you never noticed before. The mystical lore surrounding them pertains to their mathematical execution of odd-cycle time signatures shifting around common 4/4 time. As a result, it isn’t shocking to see some of the biggest names in metal standing in the wings at MESHUGGAH shows, shaking their heads at the band’s majestically demented, down-tuned, groove-laden, and precisely performed polyrhythms that never veer out of control. Devotees include Tool, The Deftones, Kirk Hammett & Lars Ulrich of Metallica, Rob Halford of Judas Priest, James LaBrie of Dream Theater, and Boston’s prestigious Berklee College of Music, which incorporates MESHUGGAH’s back catalogue into their curriculum, fortifying the belief that such perfectly calibrated music adds a crucial ingredient to a modern musical education.
 

Highlights


- One of the most prolific bands on Nuclear Blast, most of Meshuggah’s catalog has not been available on vinyl in years. These limited edition colors, with newly designed gatefold jackets, are limited to 700 each worldwide.

- The audio to all five of these vinyl reissues was remastered for vinyl so that the sound will be spectacular.

- Indie Exclusive colors are limited to 300 copies worldwide.

Meshuggah
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Meshuggah

Formed in the college town of Umeå in northern Sweden in 1987, MESHUGGAH have spent the last twenty plus years and cumulative thirteen releases developing, exploring, and redefining their complex, inimitable approach on the art of expressing their collective Id. An entity that has not sounded like anyone else in over thirteen years, MESHUGGAH are one of the few purely and honestly lateral-thinking forces genuinely dedicated to pushing the boundaries of extreme music simply because doing so comes naturally to them. Unafraid to take risks and tackle new experiences, they create albums you can listen to six years later and still discover things you never noticed before. The mystical lore surrounding them pertains to their mathematical execution of odd-cycle time signatures shifting around common 4/4 time. As a result, it isn’t shocking to see some of the biggest names in metal standing in the wings at MESHUGGAH shows, shaking their heads at the band’s majestically demented, down-tuned, groove-laden, and precisely performed polyrhythms that never veer out of control. Devotees include Tool, The Deftones, Kirk Hammett & Lars Ulrich of Metallica, Rob Halford of Judas Priest, James LaBrie of Dream Theater, and Boston’s prestigious Berklee College of Music, which incorporates MESHUGGAH’s back catalogue into their curriculum, fortifying the belief that such perfectly calibrated music adds a crucial ingredient to a modern musical education.
 

Highlights


- One of the most prolific bands on Nuclear Blast, most of Meshuggah’s catalog has not been available on vinyl in years. These limited edition colors, with newly designed gatefold jackets, are limited to 700 each worldwide.

- The audio to all five of these vinyl reissues was remastered for vinyl so that the sound will be spectacular.

- Indie Exclusive colors are limited to 300 copies worldwide.

Meshuggah
Quick View
Meshuggah

Formed in the college town of Umeå in northern Sweden in 1987, MESHUGGAH have spent the last twenty plus years and cumulative thirteen releases developing, exploring, and redefining their complex, inimitable approach on the art of expressing their collective Id. An entity that has not sounded like anyone else in over thirteen years, MESHUGGAH are one of the few purely and honestly lateral-thinking forces genuinely dedicated to pushing the boundaries of extreme music simply because doing so comes naturally to them. Unafraid to take risks and tackle new experiences, they create albums you can listen to six years later and still discover things you never noticed before. The mystical lore surrounding them pertains to their mathematical execution of odd-cycle time signatures shifting around common 4/4 time. As a result, it isn’t shocking to see some of the biggest names in metal standing in the wings at MESHUGGAH shows, shaking their heads at the band’s majestically demented, down-tuned, groove-laden, and precisely performed polyrhythms that never veer out of control. Devotees include Tool, The Deftones, Kirk Hammett & Lars Ulrich of Metallica, Rob Halford of Judas Priest, James LaBrie of Dream Theater, and Boston’s prestigious Berklee College of Music, which incorporates MESHUGGAH’s back catalogue into their curriculum, fortifying the belief that such perfectly calibrated music adds a crucial ingredient to a modern musical education.
 

Highlights


- One of the most prolific bands on Nuclear Blast, most of Meshuggah’s catalog has not been available on vinyl in years. These limited edition colors, with newly designed gatefold jackets, are limited to 700 each worldwide.

- The audio to all five of these vinyl reissues was remastered for vinyl so that the sound will be spectacular.

- Indie Exclusive colors are limited to 300 copies worldwide.

Meshuggah
Quick View
Meshuggah

Formed in the college town of Umeå in northern Sweden in 1987, MESHUGGAH have spent the last twenty plus years and cumulative thirteen releases developing, exploring, and redefining their complex, inimitable approach on the art of expressing their collective Id. An entity that has not sounded like anyone else in over thirteen years, MESHUGGAH are one of the few purely and honestly lateral-thinking forces genuinely dedicated to pushing the boundaries of extreme music simply because doing so comes naturally to them. Unafraid to take risks and tackle new experiences, they create albums you can listen to six years later and still discover things you never noticed before. The mystical lore surrounding them pertains to their mathematical execution of odd-cycle time signatures shifting around common 4/4 time. As a result, it isn’t shocking to see some of the biggest names in metal standing in the wings at MESHUGGAH shows, shaking their heads at the band’s majestically demented, down-tuned, groove-laden, and precisely performed polyrhythms that never veer out of control. Devotees include Tool, The Deftones, Kirk Hammett & Lars Ulrich of Metallica, Rob Halford of Judas Priest, James LaBrie of Dream Theater, and Boston’s prestigious Berklee College of Music, which incorporates MESHUGGAH’s back catalogue into their curriculum, fortifying the belief that such perfectly calibrated music adds a crucial ingredient to a modern musical education.
 

Highlights


- One of the most prolific bands on Nuclear Blast, most of Meshuggah’s catalog has not been available on vinyl in years. These limited edition colors, with newly designed gatefold jackets, are limited to 700 each worldwide.

- The audio to all five of these vinyl reissues was remastered for vinyl so that the sound will be spectacular.

- Indie Exclusive colors are limited to 300 copies worldwide.

Meshuggah
Quick View
Meshuggah

Formed in the college town of Umeå in northern Sweden in 1987, MESHUGGAH have spent the last twenty plus years and cumulative thirteen releases developing, exploring, and redefining their complex, inimitable approach on the art of expressing their collective Id. An entity that has not sounded like anyone else in over thirteen years, MESHUGGAH are one of the few purely and honestly lateral-thinking forces genuinely dedicated to pushing the boundaries of extreme music simply because doing so comes naturally to them. Unafraid to take risks and tackle new experiences, they create albums you can listen to six years later and still discover things you never noticed before. The mystical lore surrounding them pertains to their mathematical execution of odd-cycle time signatures shifting around common 4/4 time. As a result, it isn’t shocking to see some of the biggest names in metal standing in the wings at MESHUGGAH shows, shaking their heads at the band’s majestically demented, down-tuned, groove-laden, and precisely performed polyrhythms that never veer out of control. Devotees include Tool, The Deftones, Kirk Hammett & Lars Ulrich of Metallica, Rob Halford of Judas Priest, James LaBrie of Dream Theater, and Boston’s prestigious Berklee College of Music, which incorporates MESHUGGAH’s back catalogue into their curriculum, fortifying the belief that such perfectly calibrated music adds a crucial ingredient to a modern musical education.
 

Highlights


- One of the most prolific bands on Nuclear Blast, most of Meshuggah’s catalog has not been available on vinyl in years. These limited edition colors, with newly designed gatefold jackets, are limited to 700 each worldwide.

- The audio to all five of these vinyl reissues was remastered for vinyl so that the sound will be spectacular.

- Indie Exclusive colors are limited to 300 copies worldwide.

Meshuggah
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Tom Petty

6LP in case-wrapped folio book with 48-page book and exclusive lithograph, sticker.

Reprise Recordswill releaseAn American Treasure-a career-spanningTom Pettybox set.The 60-track set unveils dozens of previously unreleased recordings, alternate versions of classic songs, rarities, historic live performances and deep tracks that spotlight Tom's remarkable depth and evolution as a revered and tremendously influential songwriter, recording artist and performer.An American Treasuremarks the first release of Tom Petty music since the artist's tragic passing in October 2017.

An American Treasure: Vinyl Edition-A 6-LP set that features all 60 tracksand a 48-page booklet containing all of the photographic and editorial elements found in the CD Deluxe Edition. This set also includes the Nicholas Dawidoff essay. This special Vinyl Edition will be released on Friday, November 23, but is available for pre-order now.
Tom Petty
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Hippo Campus

Includes 24x36 fold-out poster Matte jacket w/spot gloss Pressed on Swimming Pool Blue Vinyl

Hippo Campus
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Ingrid Michaelson

Holiday 7" Picture Disc featuring two original Holiday songs written by Ingrid Michaelson. Track 1 is a demo version of "Happy Happy Christmas" (studio version of this original from Ingrid's upcoming full length Holiday album, Songs For The Season) and track 2 is an unreleased original holiday song titled "December." Both songs would be RSD Exclusives.

Ingrid Michaelson
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Ben Folds

"MISTER PEEPERS” is a song steeped in political satire, and was recently written and recorded by Ben Folds for a project in conjunction with the Washington Post Sunday Magazine. The Post approached Folds to write a song that spotlights the art of storytelling, and Folds choose to focus, with research assistance from a Post political writer, on a character currently in the news, deputy FBI Director Rod Rosenstein.

Ben Folds
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Kid Doe (Particle Kid & John Doe)

Punk legend and X co-founder John Doe has spent decades building a career that spans across various genres and even formats, with dozens of acting credits in fi lm and TV. Particle Kid is the musical identity of singer-songwriter, musician, and visual artist Micah Nelson, who - despite his young age - has an equally impressive resume. The two have played together at Willie Nelson's Luck Reunion festival and the iconic Pappy & Harriet's in Joshua Tree, CA, as well as sharing the stage for a tribute to The Doors at the Founders Award ceremony.

On this split release, the two artists cover each others' tunes with their own interpretation. As a bonus, John Doe covers a Carter Family favorite, and Particle Kid covers outsider folk hero Michael Hurley. The release is mastered at 45RPM and pressed on a 12'' gold color LP, exclusively for Black Friday.

Kid Doe (Particle Kid & John Doe)
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Tony Bennett & Diana Krall

Tony Bennett and Diana Krall celebrate their shared love of the music of George and Ira Gershwin with this limited edition 10” single of Fascinating Rhythm. Fascinating Rhythm was Tony Bennett’s first physical recording in 1949, made under his then stage name, Joe Bari, which he revisits as a duet with Krall for this project. This collectable 10” single is available exclusively for Record Store Day and limited to just 3,000 copies which features a die cut jacket.

Tony Bennett & Diana Krall
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The Good, The Bad & The Queen

November sees the release of MERRIE LAND, the second album from The Good, The Bad & The Queen, a band comprising of Damon Albarn, Paul Simonon, Tony Allen and Simon Tong.

The Good, The Bad & The Queen began life as the acclaimed 2007 album of the same name, a heartfelt tribute to London described by The Observer in a 5 star review as –“One of the most surprising and magical records for which Damon Albarn has ever been responsible”. The record traced a journey from the English music hall tradition to West Africa and Afrobeat, zigzagging through the West Indies and its reggae and dub, back to England and London's punk scene, all the while taking in a strand of British beat music from the '50s right through to Britpop. The result was a record specific to a place and mood but with a background that was geographically wide-ranging.

Now the four musical storytellers are back with a new studio album titled Merrie Land. Produced by Tony Visconti and The Good, The Bad & The Queen was completed in London and Wales this year, during the current ongoing period in which the UK is preparing to leave the European Union, Merrie Land is a questioning good-bye letter, a series of observations and reflections on Britishness in 2018. Even though it has been over 10 years since the band last released a record, the timing could not be more apt – there could not be a more perfect band to untangle the optimism, disorientation and confusion in the atmosphere today. With Merrie Land, the band taps into a creative symbiosis of past and future, drawing inspiration from their shared glittering musical histories and wrapping the hybrid results in a brilliantly postmodern yet thoroughly British package.

The album sees the band’s focus move beyond London with a beautiful and hopeful paean to the Britain of today - an inclusive Britain - and the possibilities of the future. In the band’s own words, Merrie Land is a ten song lament of Anglo-Saxosentialism marking the reluctant end of a relationship, and about picking up the pieces and seeing what can be salvaged. The band set a beautifully muted palette and lustrous finish to bring out a mood that is bruised yet unapologetically defiant and optimistic, and carries the underlying message: we will survive. In times of metaphysical trauma, the people need to forge ahead and wear armour. Here it is, set to the mood music of a nation about to be broken yet undefeated.

The Good, The Bad & The Queen
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Andrew McMahon in the Wilderness

For his new album Upside Down Flowers, out November 16, 2018 via Fantasy Records, Andrew McMahon in the Wilderness teamed up with noted producer and acclaimed musician Butch Walker (Pink, Weezer, Panic! At The Disco). Featuring standout tracks like 'Ohio,' 'Teenage Rockstars' and 'Paper Rain,' the album is a striking collection of wistful and biting tunes that reflect the past and our chaotic present.

Indie Exclusive

Andrew McMahon in the Wilderness
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Mumford & Sons

Mumford & Sons emphatic return is spearheaded with the inspiring new single, "Guiding Light".  Their fourth album, Delta, is out on November 16th.

Mumford & Sons
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The Revivalists

Set for release on November 9, the bands fourth LP 'Take Good Care' is previewed with the first single 'All My Friends,' a song brimming with confidence that unleashes the bands next chapter. The track which is already Top 3 at AAA and Top 10 at Modern Rock. 'All my Friends' will cross over to Hot AC in early October followed by Top 40. This is just the start! 'You Said it All', 'Oh No' and 'Some People Say' are just a few of the potential chart-toppers in this collection, which was co-produced with Dave Cobb (Sturgill Simpson, Chris Stapleton) and Andrew Dawson (Kanye, Fun) it's a project showcasing new found depth and craft that mark a band bent on proving they are far more than a band synonymous with a single song.

The Revivalists
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Les Paul & His Trio

Les Paul’s resume is hard to top. Paul was a self-taught guitarist, specializing in jazz, country, and blues. He was also a prominent songwriter, luthier, and inventor. He's credited for pioneering the solid-body electric guitar, along with many recording innovations that are used widely today. After You’ve Gone features an impressive twenty eight songs recorded by Les Paul & His Trio between 1944-1945. The release was remastered for vinyl at Infrasonic Mastering, and pressed on vinyl for the first time ever at Pallas Group in Germany.

Les Paul & His Trio
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Cult Leader

Cult Leader is a chaotic band from Salt Lake City, Utah. “A Patient Man” was recorded and engineered by Kurt Ballou at God City Studios (Converge, Nails, High On Fire). From the first hits of opener “I Am Healed” Cult Leader take listeners on a sonic rollercoaster ride. Much of the album follows this blueprint. Songs like “Curse of Satisfaction”, “Craft of Mourning”, and “Share My Pain” are driven by a weave work of unorthodox metallic riffing and fueled by hyper-aggressive percussion. While the tech- nical proficiency is impressive, it’s in their use of dynamics where they truly shine. The album contains four beautifully brooding epics; “To: Achlys”, “A World of Joy”, title track “A Patient Man”, and “The Broken Right Hand of God”. Each one of them carries a maturation and sense of melody that few “extreme” bands have within their arsenal. Proving that aggressive music still has much to offer the world in terms of originality, creativity, and emotion.

Cult Leader
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Shirley Horn

Never before been pressed to vinyl, Shirley Horn’s Softly is reflective of the album’s late night recording sessions at Peirre Sprey’s home recording studio in rural Maryland, aptly named Mapleshade Studio. The 1988 release is commonly referred to as one of Horn’s most introspective and emotionally intensive records to date. With her sidemen Charles Ables (bass) and Steve Williams (percussion) gathered into a quaint, pastoral living room full of recording equipment, the trio plowed through the tunes, tracking almost until dawn. The album was remastered for vinyl at Infrasonic Mastering and pressed on audiophile-grade vinyl at Pallas Group in Germany.

Shirley Horn
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