Music Releases 09-07-18
Egypt Station [2LP]
In The Blue Light [LP]
Raise Vibration [2LP]
Book Of Bad Decisions [2LP]
The Color Of You [LP]
And Nothing Hurt [LP]
Render Another Ugly Method [LP]
St. Paul & The Broken Bones
Young Sick Camellia [LP]
Movie Releases 09-07-18
Rolling Stone: Stories From The Edge [Documentary]
Rolling Stone: Stories From The Edge
Live At The Apollo [Blu-ray]
Ocean's 8 [Movie]
This Is Us [TV Series]
This Is Us: The Complete Second Season
Modern Family [TV Series]
Modern Family: The Complete Ninth Season
The Big Bang Theory [TV Series]
The Big Bang Theory: The Complete Eleventh Season
Music Releases 09-14-18
Thrice created Palms with a free-form and fluid approach to the album’s sonic element. The result is their most expansive work to date, encompassing everything from viscerally charged post-hardcore to piano-driven balladry. To carve out that eclectic sound, Thrice enlisted trusted producer Eric Palmquist for the recording of the percussion and vocal tracks, and self-produced all of the guitar parts on Palms. “When we track our own stuff we tend to be far less neurotic about getting every note perfect,” says singer Dustin Kensrue. “It’s more about getting the right emotion out of the performance, so that it connects on a deeper level.” Kensrue, co-founded Thrice with guitarist Teppei Teranishi, bassist Eddie Breckenridge, and drummer Riley Breckenridge in 1998. Hailing from Orange County, California, the band formed when three of its members were still in high school, making their debut with the kinetic punk/hardcore hybrid of the 2000 album Identity Crisis. Their breakthrough arrived with 2003’s The Artist in the Ambulance—Thrice’s third full-length, whose singles “All That’s Left” and “Stare at the Sun” each landed on the Billboard Alternative Songs chart. Palms is the band’s first release since signing to Epitaph in early 2018, and the album matches its raw passion with a measured intensity, a rare feat for an album so informed by the volatility of the times. “Even though some of these songs are really aggressive-sounding, I wanted to make sure they never felt like finger-pointing, especially at a time when there’s so much talking past each other,” says Kensrue. Within that approach, Thrice reveal their profound commitment to making an enduring impact on the listener.
Tony Bennett and Diana Krall celebrate their shared love of the music of George and Ira Gershwin on their new collaborative album, LOVE IS HERE TO STAY, set for a September 14th release.
LOVE IS HERE TO STAY is a subtle, sophisticated and beautifully rendered love letter to The Gershwins’ music and their status as one of the premiere songwriters of the American popular standard. It is a masterclass in vocal delivery and phrasing and the command that Bennett and Krall display of the material in both their duets and solo tracks makes it appear effortless, belying the honed skill of the vocalists. The duet tracks include “S’Wonderful,” “I’ve Got Rhythm,” “They Can’t Take That Away from Me” and “Fascinating Rhythm,” among them. “Fascinating Rhythm” was Tony Bennett’s first physical recording in 1949, made under his then stage name, Joe Bari, which he revisits as a duet with Krall for this project.
Richard Thompsons new album, 13 Rivers, is the artists first self-produced record in over a decade. 13 Rivers is a very stripped down, bare-bones recording and according to Thompson the album is a reflection of current events that have happened in his life. This has been an intense year for myself and my family, getting older doesnt mean that life gets easier! There are surprises around every bend.
I think this reflects in the immediacy of the stories, and the passion in the songs. Sometimes I am speaking directly about events, at other times songs are an imaginative spin on what life throws at you. The music is just a mirror to life, but we try to polish that mirror as brightly as possible. The album was recorded at Boulevard Recording in Los Angeles, California. 13 Rivers features Richards regular accompanists, Michael Jerome and Taras Prodaniuk, as well as Thompsons guitar tech, Bobby Eichorn, on second guitar.
Each track on the album was recorded in analog, with minimal overdubbing. Boulevard is a really funky-looking studio, says Richard, but it sounds great. It used to be called The Producers Workshop, and was owned by Liberace, whose ghost is reportedly still hanging around. Steely Dan records were done there, and The Wall by Pink Floyd was mixed there. Clay Blair, the engineer, is a Beatles nut, and has every piece of Beatles gear he can lay his hands on - so if things sound a bit like Abbey Road, so be it!
13 Rivers consists of thirteen tracks. It is an album as much about growth as it is about reflection. Says Thompson, I dont know how the creative process works - I suppose it is some kind of bizarre parallel existence to my own life. I often look at a finished song and wonder what the hell is going on inside me. We sequenced the weird stuff at the front of the record, and the tracks to grind your soul into submission.
Cold War Kids is the self-titled compilation album by the American indie rock band from Long Beach, CA. Forming in 2004, and signing with Downtown Records in 2006 where they released 5 stellar albums, Cold War Kids compiles their biggest hits from the Downtown Records years and features 14 tracks including “First”, “Hang Me Up To Dry”, “Miracle Mile” and many more.
My Way, Willie Nelson's new studio album, explores his admiration and connection to Frank Sinatra's art and artistry across 11 fresh, intoxicating takes on songs made famous by the Chairman of the Board. Recorded in the tradition of 1978s legendary Stardust and 2016s Grammy Award-winning Summertime: Willie Nelson Sings Gershwin, My Way is a warm and personal nod from one icon to another. Included are Willie's takes on timeless tunes like "Summer Wind," "It Was A Very Good Year," "I'll Be Around," "Fly Me To The Moon," "What Is This Thing Called Love" (cast as a duet with fellow Grammy winner Norah Jones) and, of course, the anthemic "My Way." Add Willie's stalwart backing band plus lush arrangements for full string and horn sections - all produced by Grammy winners Buddy Cannon and Matt Rollings - and you've got an album that's as cool as it gets.
Alejandro Escovedo s new album is perhaps his most varied and expansive album to date. It is his first album recorded outside of America, in northern Italy, with co-writer Don Antonio Gramentieri and a band of Italian musicians. It is also Alejandro s first ever concept album drawing the story of two young immigrants to the US, who bond over a mutual love of punk rock as they struggle with the racism and discrimination as immigrants. Special guests on the album include Wayne Kramer (MC5), Joe Ely, and Peter Perrett and John Perry of The Only Ones. The sound ranges from straight ahead rockers like, Sonica USA, to ballads like the classic Joe Ely penned, Silver City, and everywhere in between. To describe this album as, "epic," might be an understatement.
“Having this identity—radical indigenous queer feminist—keeps me going. My music and my identity come from the same foundation of being a Native woman.” Katherine Paul (aka KP) is Black Belt Eagle Scout, and Mother of My Children is her debut album. Recorded in the middle of winter near her hometown in Northwest Washington, Paul’s connection to the landscape’s eerie beauty are palpable throughout as the album traces the full spectrum of confronting buried feelings and the loss of what life was supposed to look like. Paul reflects, “I wrote this album in the fall of 2016 after two pretty big losses in my life. My mentor, Geneviève Castrée, had just died from pancreatic cancer and the relationship I had with the first women I loved had drastically lessened and changed.” Heavy and heartbroken, Paul found respite from the weight of such loss in the creation of these songs that “are about grief and love for people, but also about being a native person in what is the United States today.” On Mother of My Children, the songs weave together to capture both the enduring and fleeting experiences of loss, frustration, and dreaming. The structures are traditional, but the lyrics don’t adhere to any format other than what feels right in the moment. Mother of My Children begins with lead single “Soft Stud,” which Paul describes as her “queer anthem.” It’s “about the hardships of queer desire within an open relationship.” It’s followed by “Indians Never Die,” a call out to colonizers and those who don’t respect the Earth. As Standing Rock was happening, many people in Paul’s life were coming together to fight for the most basic necessity to sustain human life: water. “Our treaty rights weren’t being honored. Imagine hearing on the news that the government doesn’t support you as a human being and never has. They don’t care about the water, they don’t care about how they are destroying what is around them. Indigenous people are the protectors of this land. Indians never die because this is our land that we will forever protect in the present and the afterlife.” Paul grew up in a small Indian reservation, the Swinomish Indian Tribal Community, surrounded by family focused on native drumming, singing, and arts. From an early age, Paul was singing and dancing at powwows with one of her strongest memories at her family’s own powwow, called the All My Relations Powwow. Paul reminisces, “When I was younger, my only form of music was through the songs my ancestors taught the generations of my family. Singing in our language is a spiritual process and it carries on through me in how I create music today.” With the support of her family and a handful of bootleg Hole and Nirvana VHS tapes, Paul taught herself how to play guitar and drums as a teenager. In 2007, she moved to Portland, Oregon to attend college and get involved with the Rock’n’Roll Camp for Girls eventually diving deep into the city’s music scene playing guitar and drums in bands while evolving her artistry into what would later become Black Belt Eagle Scout.
Movie Releases 09-14-18
It's been three years since theme park and luxury resort, Jurassic World was destroyed by dinosaurs out of containment. Isla Nublar now sits abandoned by humans while the surviving dinosaurs fend for themselves in the jungles. When the island's dormant volcano begins roaring to life, Owen (Chris Pratt) and Claire (Bryce Dallas Howard) mount a campaign to rescue the remaining dinosaurs from this extinction-level event.
New Blu-Ray: $21.98 Add to Cart
In 1970 the Isle of Wight Festival was one of the largest musical events of its time. Bigger than Woodstock, and controversial from the get-go, hundreds of thousands of people descended on the island. Many of those without tickets set up camp on a hill overlooking the festival site, opposing the consumerism of the event and intent on taking the music back by any means necessary. It was a celebration of hippy counter culture gone awry, and in Joni's words "they fed me to the beast". Joni Mitchell took to the stage to deliver an outstanding performance against all odds. At times it was a battle against the audience, as they tore down barriers and shouted obscenities. Her set was interrupted multiple times, including one man invading the stage to try address the crowd. She later commented, "It seemed like an appropriate time to flee...", but still the seemingly fragile folk-rock singer stood her ground. Instead she returned to her piano, sitting on a fold-up wooden chair, and made an impassioned plea for respect from the audience, continuing her set with "My Old Man" she won over the crowd and the atmosphere softened. In response the front page of Melody Maker hailed her with the frontpage headline, "Joni triumphs!". Directed by Academy Award winning filmmaker Murray Lerner, Both Sides Now: Live At The Isle of Wight Festival features new interviews with Joni, discussing her recollections of the event intercut with festival footage, both onstage and behind the scenes, offering a fascinating insight into a now legendary concert from the artists point of view and putting the events of the day into context. Alternatively, fans can enjoy the uninterrupted live concert footage featuring classic songs such as "Woodstock", "Both Sides Now" and "Big Yellow Taxi". This was the final film from Murray Lerner, who sadly passed away not long after the films completion.
Ridding National City of Queen Rhea and her Daxamite army was a major win for Supergirl, but one that came at a significant cost, as Kara was forced to sacrifice her budding relationship with Mon-El. As season three returns with all-new supercharged adventures, Kara and team will come up against a new threat in the form of DC Worldkiller, Reign.
Music Releases 09-21-18
Piano & A Microphone 1983 [LP]
Christine And The Queens
Million Dollars To Kill Me [LP]
Living The Dream [2LP]
Billy F Gibbons
The Big Bad Blues [LP]
Richard Reed Parry
Quiet River Of Dust Vol. 1
Ta13oo [Red Slushie LP]
Movie Releases 09-21-18
Solo: A Star Wars Story
Uncle Drew [Movie]
DC's Legends of Tomorrow [TV Series]
DC's Legends of Tomorrow: The Complete Third Season
Mystery Science Theater 3000
Mystery Science Theater 3000: The Lost & Found Collection
Fraggle Rock: The Complete Series