Double vinyl LP pressing. Love In Exile asks you to step inside it's sense of time, to stretch out alongside these delightful & unhurriedly unfolding songs. Profound impact is achieved with minimal instrumentation: Iyer on pianos & electronics, Ismaily on bass & Moog synth & Aftab's exquisite Urdu vocals. Subtle musical interrelationships build into moments of deeply felt drama. Shimmering keyboard melodies & stirring vocals, earthy basslines, & hypnotic drones: together they create an album of stunning gravitas & beauty.

Last year BABYMETAL were �sealed� from the world after a successful 10-year journey. Earlier this year, THE OTHER ONE restoration project began to recover the BABYMETAL we never knew existed within a virtual world called the METALVERSE. The concept album releasing March 24, 2023 reveals the other side of the BABYMETAL story that no one knew existed. A total of 10 songs have been discovered within THE OTHER ONE restoration project, in which each song represents each theme of the 10 parallel worlds that seem to exist. Full length audio of each of the 10 songs will finally be revealed when fans get their hands on the album.

Double vinyl LP pressing. Arguably the most gifted Jamaican performer of his generation, Ken Boothe is today widely regarded as a living legend, having recorded innumerable ska, rock steady and reggae classics over a period spanning some 60 years. After making his recording debut in 1962, Ken enjoyed a hugely successful career in Jamaica before achieving international stardom in 1974 with his chart-topping interpretation of 'Everything I Own' and the top 10 follow-up, 'Crying Over You'. Both of these hugely popular tracks feature on this collection, which forms part of Trojan Record's new 'Essential Artist' series, which showcases the best-loved recordings of some of Jamaica's greatest musical talents. This release demonstrates the exceptional vocal talents of one of the finest and most soulful performers to have made their mark on modern popular music scene since the Sixties.

Two CD set. Arguably the most gifted Jamaican performer of his generation, Ken Boothe is today widely regarded as a living legend, having recorded innumerable ska, rock steady and reggae classics over a period spanning some 60 years. After making his recording debut in 1962, Ken enjoyed a hugely successful career in Jamaica before achieving international stardom in 1974 with his chart-topping interpretation of 'Everything I Own' and the top 10 follow-up, 'Crying Over You'. Both of these hugely popular tracks feature on this collection, which forms part of Trojan Record's new 'Essential Artist' series, which showcases the best-loved recordings of some of Jamaica's greatest musical talents. This release demonstrates the exceptional vocal talents of one of the finest and most soulful performers to have made their mark on modern popular music scene since the Sixties.

Legendary Tacoma, Washington mathcore/hardcore/metal band Botch�s debut full-length American Nervoso was originally recorded in 1998, eventually becoming one of the most ground-breaking records during a pivotal shift in heavy music. Now, the band�s debut album is set to be re-issued on Sargent House 25 years after its original release. The album features white-hot guitar action, scathing vocals, sweet bass moves, and torrential drums, smashing existing precepts of hardcore and redefining both the word and the music for a generation of kids and grizzled vets alike. Bassist Brian Cook, guitarist David Knudson, drummer Tim Latona, and vocalist Dave Verellen formed Botch in 1993, eventually becoming one of the most significant bands of their time before playing their final show on June 15, 2002. The members would go on to play in These Arms Are Snakes, Minus the Bear, and Russian Circles, among others, with acclaim for the band coming mostly post-breakup. Over 20 years since they played their final show, Botch are reuniting for select dates in the Pacific Northwest in February 2023

Legendary Tacoma, Washington mathcore/hardcore/metal band Botch�s debut full-length American Nervoso was originally recorded in 1998, eventually becoming one of the most ground-breaking records during a pivotal shift in heavy music. Now, the band�s debut album is set to be re-issued on Sargent House 25 years after its original release. The album features white-hot guitar action, scathing vocals, sweet bass moves, and torrential drums, smashing existing precepts of hardcore and redefining both the word and the music for a generation of kids and grizzled vets alike. Bassist Brian Cook, guitarist David Knudson, drummer Tim Latona, and vocalist Dave Verellen formed Botch in 1993, eventually becoming one of the most significant bands of their time before playing their final show on June 15, 2002. The members would go on to play in These Arms Are Snakes, Minus the Bear, and Russian Circles, among others, with acclaim for the band coming mostly post-breakup. Over 20 years since they played their final show, Botch are reuniting for select dates in the Pacific Northwest in February 2023

OVERVIEW:Bold and True Female Fronted Anthemic Canadian Power Metal / Classic 80's Metal Combustion!!! The 1st embers sparked in the frosty Canadian Tundra of Newfoundland, Canada in 2011 when Category VI released their "Vinland" Demo. This swiftly ignited their path and their debut album "Fireborn" (2013) was unleashed in a blaze of burning Metal! Those coals were never quenched, and Category VI added fuel to the fire with their 2017 follow up Inferno "War Is Hell". Category VI Now returns in a full blazing firestorm with their 3rd album and most accomplished release to date "Firecry" From the initial flickering flame of "Firecry" To the final cinders of the absolutely combustible cover of HEARTS classic "Barracuda", Category VI deliver True and classy 80's Heavy Metal with utter perfection! "Firecry" boasts a crisp, clear and scorching modern production that does not distract from the bands True 80's metal sound.. Lyrically crafted around themes of personal pride and triumph (Valkyrie, Heavy is the Crown), witchcraft persecution (Firecry), women's strength (She Runs With Wolves) & their excellent live performances (Coven), these concepts are boldly and powerfully delivered by the soaring vocal excellence of Female lead singer Amanda Jackson. Bolstered and fueled by the powerful stainless steel riffs and catchy melodies of guitarist Geoff Waye, pounding anvil bass of Keith Jackman and thunderous steadfast drumming of Brian Downton, Category VI bring classy and classic 1980's Power - Traditional Heavy Metal into the 21st century with blazing glory! To close out one of the best Heavy Metal albums of the decade, Category VI delivers an immaculate True Metal, yet Radio friendly cover of the chart-toping Heart classic "Barracuda" With "Firecry" Category VI unleash a global scale climate changing Metal cyclone which just may melt the North American frozen tundra with their blazing Power Metal!

The historic Greatest Hits collection now available on vinyl. Featuring 18 classics including �I Want You To Want Me�, �Surrender�, �The Flame� and more. Plus track-by-track liner notes by the band.

2023 release. Building on the warm, elemental soundscape of 2021's 'Antidotes' EPs and the moody, elegant timbre of her cello, Chua self-produced and engineered 8 of YIAN's 10 tracks, spurred on by a call to true artistic integrity and authorship. A deeply introspective and fully realised vessel of creative expression, YIAN emerges as less an album than a worldview, a commitment to learning and uncovering one's own selfhood honed over Chua's lifelong reconciliation with her own personal history and identity.

Sunergy brings together synthesists Suzanne Ciani and Kaitlyn Aurelia Smith for the thirteenth installment of FRKWYS, RVNG Intl.'s intergenerational collaboration series. For this expanded edition, a panorama of the Pacific Coast provides the place and head space for exploratory Buchla synthesizer passages that meditate on a life-giving form vast and volatile with change. This Pacific Blue color edition includes bonus track "Retrograde" and a printed insert with photographs and artist essays.

Just nine months after his 3x Grammy-nominated record�Growin� Up�was released, reigning CMA Entertainer of the Year�Luke Combs�is back with a new companion album,�Gettin� Old,�releasing March 24�via�River House�Artists/Columbia Nashville. In advance of the release, lead track, �Growin� Up and Gettin� Old,� written by Combs,�Rob Snyder�and�Channing Wilson, is out now.

Produced by Combs,�Chip Matthews�and�Jonathan Singleton,�Gettin� Old�is Combs� fourth full-length album following 2022�s�Growin� Up, 2019�s 3x Platinum�What You See is What You Get�and his 4x Platinum debut,�This One�s For You. Across these eighteen new tracks, Combs continues to establish himself as one of music�s most authentic and powerful voices, as he reaches new lyrical depths�exploring themes of family, legacy, love and personal growth.

Just nine months after his 3x Grammy-nominated record�Growin� Up�was released, reigning CMA Entertainer of the Year�Luke Combs�is back with a new companion album,�Gettin� Old,�releasing March 24�via�River House�Artists/Columbia Nashville. In advance of the release, lead track, �Growin� Up and Gettin� Old,� written by Combs,�Rob Snyder�and�Channing Wilson, is out now.

Produced by Combs,�Chip Matthews�and�Jonathan Singleton,�Gettin� Old�is Combs� fourth full-length album following 2022�s�Growin� Up, 2019�s 3x Platinum�What You See is What You Get�and his 4x Platinum debut,�This One�s For You. Across these eighteen new tracks, Combs continues to establish himself as one of music�s most authentic and powerful voices, as he reaches new lyrical depths�exploring themes of family, legacy, love and personal growth.

'Everything's Fine', the third album from award-winning Matt Corby, due in 2023. It follows on from 2020's stand-alone singles, 'I Never Say A Word' and 'Vitamin', and 2016's J Award-winning Rainbow Valley. Matt has a loyal global fanbase, with sold out theatre shows across the world with over 325,000 albums sold and 300 million streams. His accolades include Triple J's Album of the Year. Since the release of that record, Corby has also been busy running his own label and fine-tuning his skills as a producer, working with artists including Tash Sultana, Genesis Owusu and Budjerah.

Vinyl LP pressing. Slicker Than Your Average is the second studio album by British singer Craig David, originally released in 2002.

The usual boom-and-bust cycles of growing up - breaking down, gathering the strength to get up, fumbling hard, doing it all over again - can feel unmooring, to say the least, but, and according to Debby Friday, it's tragedies and glories need savoring. Losing illusions, gaining expectations; getting deep into the private, soupy kaleidoscope of what's possible and what's futile - GOOD LUCK, her debut, and supernovic, full-length album, is built on welcoming the journey's complicated drops and mountain highs with something more like grace.Nigerian-born, then an emigré to bits of Canada - from Montreal to Vancouver to Toronto - Debby Friday's roamings through space and time really began when the sun fell. Nightlife was her emancipation from the toughness of home life, and she fell into it, body and soul, totally seduced. Raves til sunrise; house music in unknown basements and warehouses - the lure of the party was the perfect escape. Things that feel good sometimes do fall apart, though. In 2017, after DJing for less than a year, nothing was going the way that she wanted it to go. So she gathered her things and embarked on what would turn out to be the first of a few of her coming-of-age stories. After making the decision to stop herself in her tracks, she pulverized new paths for herself forward. Late-night YouTube tutorials on music production led to an EP, BITCHPUNK, and BITCHPUNK led to her first public performances, and all that gave way to a second EP, DEATH DRIVE. Her art endowed her with the strength she needed to move on. "This is what I was born to do," she goes. "It came to me so naturally and instinctively."So what does it take to hone that power? Discipline - routines, rituals; an MFA, practices of writing and filmmaking, and music-making that guide a person from one day to the next - but something close to mysticism, too. DEBBY'S serious study of astrology, psychology, and philosophy allow her to move through the world, relate to others, and get closer to what's inside her. She believes in what emerges. She believes in making the unconscious conscious. She wants to be in dialogue with the darkness.It's why GOOD LUCK works like such a study in entropy. On the surface, you'll hear smears of Santigold's dub dazzle, the MIDI-crush of Death Grips, but less obviously the plaintiveness of directors like Eric Rohmer, or the grotesque decadence of later-era Sylvia Plath. (Juno Award and Polaris Prize-nominated composer Graham Walsh adds a sort of heft and pull to the genre-flexibility on parade here: think of it a little like Sevdaliza meets FKA Twigs.) Few do it like her, though, and GOOD LUCK spans from lucid, acid housey, high-BPM tracks to melancholia and darkness to striking falsetto pop with assuredness and aplomb. The album GOOD LUCK is being co-released with a short film of the same name, co-directed by FRIDAY and Nathan de Paz Habib (past work includes Eroica, based on Chino Amobi's novel of the same name). It's a story of individuation. It's a love story about a woman and her masked beloved, but outside of the accompanying-but-stand-alone visual, it's all a willing, yearning investigation into what goes on behind the veil of sadness, of cruelty. Because knowing the darkness is the only way to understand the light, but also the greys and the blues and the in-between states. FRIDAY's explorations in GOOD LUCK - delving down into the muck of nuance - are a kind of courage.

The usual boom-and-bust cycles of growing up - breaking down, gathering the strength to get up, fumbling hard, doing it all over again - can feel unmooring, to say the least, but, and according to Debby Friday, it's tragedies and glories need savoring. Losing illusions, gaining expectations; getting deep into the private, soupy kaleidoscope of what's possible and what's futile - GOOD LUCK, her debut, and supernovic, full-length album, is built on welcoming the journey's complicated drops and mountain highs with something more like grace.Nigerian-born, then an emigré to bits of Canada - from Montreal to Vancouver to Toronto - Debby Friday's roamings through space and time really began when the sun fell. Nightlife was her emancipation from the toughness of home life, and she fell into it, body and soul, totally seduced. Raves til sunrise; house music in unknown basements and warehouses - the lure of the party was the perfect escape. Things that feel good sometimes do fall apart, though. In 2017, after DJing for less than a year, nothing was going the way that she wanted it to go. So she gathered her things and embarked on what would turn out to be the first of a few of her coming-of-age stories. After making the decision to stop herself in her tracks, she pulverized new paths for herself forward. Late-night YouTube tutorials on music production led to an EP, BITCHPUNK, and BITCHPUNK led to her first public performances, and all that gave way to a second EP, DEATH DRIVE. Her art endowed her with the strength she needed to move on. "This is what I was born to do," she goes. "It came to me so naturally and instinctively."So what does it take to hone that power? Discipline - routines, rituals; an MFA, practices of writing and filmmaking, and music-making that guide a person from one day to the next - but something close to mysticism, too. DEBBY'S serious study of astrology, psychology, and philosophy allow her to move through the world, relate to others, and get closer to what's inside her. She believes in what emerges. She believes in making the unconscious conscious. She wants to be in dialogue with the darkness.It's why GOOD LUCK works like such a study in entropy. On the surface, you'll hear smears of Santigold's dub dazzle, the MIDI-crush of Death Grips, but less obviously the plaintiveness of directors like Eric Rohmer, or the grotesque decadence of later-era Sylvia Plath. (Juno Award and Polaris Prize-nominated composer Graham Walsh adds a sort of heft and pull to the genre-flexibility on parade here: think of it a little like Sevdaliza meets FKA Twigs.) Few do it like her, though, and GOOD LUCK spans from lucid, acid housey, high-BPM tracks to melancholia and darkness to striking falsetto pop with assuredness and aplomb. The album GOOD LUCK is being co-released with a short film of the same name, co-directed by FRIDAY and Nathan de Paz Habib (past work includes Eroica, based on Chino Amobi's novel of the same name). It's a story of individuation. It's a love story about a woman and her masked beloved, but outside of the accompanying-but-stand-alone visual, it's all a willing, yearning investigation into what goes on behind the veil of sadness, of cruelty. Because knowing the darkness is the only way to understand the light, but also the greys and the blues and the in-between states. FRIDAY's explorations in GOOD LUCK - delving down into the muck of nuance - are a kind of courage.

Did you know that there's a tunnel under Ocean Blvd is the ninth studio album from acclaimed singer-songwriter Lana Del Rey, comprising 16 tracks and interludes with features including Father John Misty, Tommy Genesis, Jon Batiste, Bleachers and more. It follows the prolific artist's 2021 albums Chemtrails Over The Country Club and Blue Banisters.

Remixed and remastered double LP

Sit back and relax by listening to piano renditions of your favorite Disney songs including, "You've Got a Friend in Me," "The Family Madrigal" and more.

Explore the Duster universe on the far superior 45RPM format. This deluxe triple 7" box contains Duster's first single-1997's Transmission Flux (including "Stars Will Fall" & "Orbitron"), 1998's Apex, Trance-Like (featuring "Four Hours"), plus Stratosphere's painfully absent "Echo, Bravo" and the lost 2002 outtake "What You're Doing To Me." Housed in replica sleeves and placed in a sturdy two-piece box, Moods, Modes also contains a Duster-branded hanky for those who like to accessorize.

If credibility were currency, FAKE NAMES� wealth would be off the�charts. Composed of Brian Baker (Minor Threat, Bad Religion, Dag Nasty), Michael Hampton (S.O.A., Embrace), Dennis Lyxz�n (Refused, INVSN,�The [International] Noise Conspiracy), Johnny Temple (Girls Against�Boys, Soulside) and the newest member Brendan Canty (Fugazi, Rites of�Spring), the band is a veritable post-hardcore dream team.

However instead of rehashing the past, Expendables is a reinvention�that sees the band dialing back the distortion and leaning into the�melodies. The result pairs their unparalleled pedigree with a pop�sensibility that�s slightly unexpected and wholly satisfying. �For our
last record [2019�s FAKE NAMES]the general influences were 70�s U.K.�punk and power-pop; but it wound up with a little classic rock vibe as�well, like the Vibrators meets Aerosmith. We never saw that coming!� ,�Baker explains.

For Expendables the band enlisted producer Adam �Atom� Greenspan (IDLES, Yeah Yeah Yeahs). Baker explains, �The pop influences are a�little more out front on this one and the production really helps it shine. It sounds more direct, more urgent.��Expendables is the latest exchange in a musical conversation that spans four decades. Baker aptly refers to the lineup of FAKE NAMES�as a �mutual admiration society� and says that once the five members got in the same room together, it felt as if they had already been in�the band together for years.

If credibility were currency, FAKE NAMES� wealth would be off the�charts. Composed of Brian Baker (Minor Threat, Bad Religion, Dag Nasty), Michael Hampton (S.O.A., Embrace), Dennis Lyxz�n (Refused, INVSN,�The [International] Noise Conspiracy), Johnny Temple (Girls Against�Boys, Soulside) and the newest member Brendan Canty (Fugazi, Rites of�Spring), the band is a veritable post-hardcore dream team.

However instead of rehashing the past, Expendables is a reinvention�that sees the band dialing back the distortion and leaning into the�melodies. The result pairs their unparalleled pedigree with a pop�sensibility that�s slightly unexpected and wholly satisfying. �For our
last record [2019�s FAKE NAMES]the general influences were 70�s U.K.�punk and power-pop; but it wound up with a little classic rock vibe as�well, like the Vibrators meets Aerosmith. We never saw that coming!� ,�Baker explains.

For Expendables the band enlisted producer Adam �Atom� Greenspan (IDLES, Yeah Yeah Yeahs). Baker explains, �The pop influences are a�little more out front on this one and the production really helps it shine. It sounds more direct, more urgent.��Expendables is the latest exchange in a musical conversation that spans four decades. Baker aptly refers to the lineup of FAKE NAMES�as a �mutual admiration society� and says that once the five members got in the same room together, it felt as if they had already been in�the band together for years.

Fall Out Boy's new album, �So Much (For) Stardust�

Chucky is back! The notorious killer doll continues his onslaught of terror in Season Two of the hit horror series from franchise creator Don Mancini. This season finds Chucky (voiced by Brad Dourif) hellbent on exacting revenge against teens Jake (Zackary Arthur), Devon (Bj�rgvin Arnarson) and Lexy (Alyvia Alyn Lind), as well as his ex Tiffany (voiced by Jennifer Tilly), after they successfully thwarted his murderous plot in Season One. While Jake and Devon encounter trouble as a couple at their new Catholic school, Chucky embarks on a whole new killing spree, crossing paths with familiar franchise faces along the way.

It�s season six and Rick and Morty are back! Pick up where we left them, worse for wear and down on their luck. Will they manage to bounce back for more adventures? Or will they get swept up in an ocean of piss! Who knows?! Piss! Family! Intrigue! A bunch of dinosaurs! More piss! Another can't miss season of your favorite show.