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Giovanni Battista Martini (1706-1784) was born in Bologna, in that era part of the Papal States. His father, Antonio Maria Martini, a violinist, taught him the elements of music and the violin and he later learned singing and harpsichord playing and the art of counterpoint from Giacomo Antonio Perti. Having received his education in classics from the priests of the "Congregation of the Oratory of Saint Philip Neri", he became a priest himself in 1722. In 1725, though only nineteen years old, he received the appointment of chapel-master at the Basilica of San Francesco in Bologna, where his compositions attracted attention. At the invitation of amateurs and professional friends he opened a school of composition at which several celebrated musicians were trained; as a teacher he consistently declared his preference for the traditions of the old Roman school of composition. Martini was a zealous collector of musical literature, and possessed an extensive musical library, estimated at 17,000 volumes. Among his many students was... Wolfgang Amadeus Mozart, who held him in high regard and always spoke fondly of him. "Padre" Martini, as he was called, wrote an immense oeuvre of more than 2500 works, many of them sacred vocal works. His keyboard works include more than 100 sonatas. This new recording presents the complete organ works of Martini, consisting mainly of Sonatas, but also shorter pieces like fugues, toccatas and preludes. In his earlier works Martini adopted the style of his illustrious predecessors, the masters of Baroque counterpoint, later he wrote in a less learned, more elegant and "pleasant" style, according to the demands of his audience. Played on a variety of historic Italian organs from the 18th century by Manuel Tomadin, one of the foremost Italian organists of today, a scholar and passionate musician, with an impressive discography to his name.
Giovanni Battista Martini (1706-1784) was born in Bologna, in that era part of the Papal States. His father, Antonio Maria Martini, a violinist, taught him the elements of music and the violin and he later learned singing and harpsichord playing and the art of counterpoint from Giacomo Antonio Perti. Having received his education in classics from the priests of the "Congregation of the Oratory of Saint Philip Neri", he became a priest himself in 1722. In 1725, though only nineteen years old, he received the appointment of chapel-master at the Basilica of San Francesco in Bologna, where his compositions attracted attention. At the invitation of amateurs and professional friends he opened a school of composition at which several celebrated musicians were trained; as a teacher he consistently declared his preference for the traditions of the old Roman school of composition. Martini was a zealous collector of musical literature, and possessed an extensive musical library, estimated at 17,000 volumes. Among his many students was... Wolfgang Amadeus Mozart, who held him in high regard and always spoke fondly of him. "Padre" Martini, as he was called, wrote an immense oeuvre of more than 2500 works, many of them sacred vocal works. His keyboard works include more than 100 sonatas. This new recording presents the complete organ works of Martini, consisting mainly of Sonatas, but also shorter pieces like fugues, toccatas and preludes. In his earlier works Martini adopted the style of his illustrious predecessors, the masters of Baroque counterpoint, later he wrote in a less learned, more elegant and "pleasant" style, according to the demands of his audience. Played on a variety of historic Italian organs from the 18th century by Manuel Tomadin, one of the foremost Italian organists of today, a scholar and passionate musician, with an impressive discography to his name.
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Giovanni Battista Martini (1706-1784) was born in Bologna, in that era part of the Papal States. His father, Antonio Maria Martini, a violinist, taught him the elements of music and the violin and he later learned singing and harpsichord playing and the art of counterpoint from Giacomo Antonio Perti. Having received his education in classics from the priests of the "Congregation of the Oratory of Saint Philip Neri", he became a priest himself in 1722. In 1725, though only nineteen years old, he received the appointment of chapel-master at the Basilica of San Francesco in Bologna, where his compositions attracted attention. At the invitation of amateurs and professional friends he opened a school of composition at which several celebrated musicians were trained; as a teacher he consistently declared his preference for the traditions of the old Roman school of composition. Martini was a zealous collector of musical literature, and possessed an extensive musical library, estimated at 17,000 volumes. Among his many students was... Wolfgang Amadeus Mozart, who held him in high regard and always spoke fondly of him. "Padre" Martini, as he was called, wrote an immense oeuvre of more than 2500 works, many of them sacred vocal works. His keyboard works include more than 100 sonatas. This new recording presents the complete organ works of Martini, consisting mainly of Sonatas, but also shorter pieces like fugues, toccatas and preludes. In his earlier works Martini adopted the style of his illustrious predecessors, the masters of Baroque counterpoint, later he wrote in a less learned, more elegant and "pleasant" style, according to the demands of his audience. Played on a variety of historic Italian organs from the 18th century by Manuel Tomadin, one of the foremost Italian organists of today, a scholar and passionate musician, with an impressive discography to his name.
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