{"title":"Pre-order Indie Exclusives","description":null,"products":[{"product_id":"pre-order-tampert-indie-exclusive-colored-vinyl-limited-edition-ofgv-pnk-indie-exclusive-jiskefet","title":"Pre-Order: Tampert [Indie Exclusive] [Colored Vinyl] [Limited Edition] (Ofgv) (Pnk) [Indie Exclusive] - Jiskefet","description":"\u003cp\u003eJiskefet is one of the Netherlands' most famous comedy trios, consisting of Kees Prins, Michiel Romeyn and Herman Koch. They operated within the genres of absurdism, satire and improvisation and were active between 1990 and 2005. Most sketches are in Dutch, but occasionally in English as well, such as their famous sketch 'English Sports', a Monty Python-esque bit that playfully mocking traditional British field sports such as cricket and polo. Another famous sketch of the trio is 'Tampert' which is a satirical take on Derrick, a typical German crime drama from the 1980s. In 1997 the trio produced a very limited private pressing of it's theme song with 'Technofax' on the B-side, a spoof of Kraftwerk. The record wasn't widely distributed and not many copies have survived, making it a very obscure item, and we are therefore very proud to re-release this piece of Dutch comedy heritage on Music on Vinyl. Tampert is available as a limited edition of 500 copies on pink 'denture'-colored vinyl and comes with a signed postcard with stamp designed by Michiel Romeyn. https:\/\/jiskefet. Nl\/LISTEN: https:\/\/youtu. #be\/rnriqg3tU8M* 180 GRAM AUDIOPHILE VINYL* INCLUDES A POSTCARD AND POSTAGE STAMP, SIGNED AND DESIGNED BY MICHIEL ROMEYN* AVAILABLE ON DENTURE-PINK VINYL (IN AN OPEL KADETT GREY SLEEVE), LIMITED TO 500 COPIES\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e*** Indie Exclusive ***\u003cbr\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 8719262042872\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Music On Vinyl\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.26.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 12\"\u003c\/p\u003e\u003c\/div\u003e","brand":"Omega Music Shopify","offers":[{"title":"Default Title","offer_id":48089751781594,"sku":"N8719262042872","price":37.99,"currency_code":"USD","in_stock":true}]},{"product_id":"pre-order-a-r-indie-exclusive-white-molecule","title":"Pre-Order: A:R [Indie Exclusive White] - Molecule","description":"\u003cp\u003eMolÃ©cule is a French artist, musician and sound explorer whose radical approach consists in going on expeditions to record nature in situ and transforming these raw materials into music.On board a fishing trawler in the Atlantic Ocean, he created 60Â°43' Nord using the brutal sounds of a raging sea and the daily life of sailors. In Greenland, he composed -22.7Â°C deep within the ice pack, capturing silence, polar winds and the cracking of the ice itself. In NazarÃ©, he immersed himself in the world of giant waves, translating the ocean's raw energy into sound.Positioned at the crossroads of technology, environmental concerns and sonic creation, MolÃ©cule embraces an innovative and committed artistic vision. Constantly pushing technical boundaries, he designs and experiments with advanced recording and production systems to expand the possibilities of sound capture.At a time when many artists are shaped by standardized formats, MolÃ©cule stands apart through an authentic, immersive practice rooted in real-life experience. His work is built directly in contact with the elements and the places he inhabits, resulting in a singular body of work shaped by the physical reality of the world. This project presents a selection of studio productions developed in parallel with MolÃ©cule's soundfield recording expeditions. Here, he unveils five unreleased tracks, revealing his techno DNA in it's most rough and raw form.Designed for the dancefloor, these high-impact productions feature sharp BPMs and stripped-back energy, released on LumiÃ¨re Noire, the label founded by ChloÃ©.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWaka juju\u003c\/li\u003e\n\u003cli\u003eDouala serenade\u003c\/li\u003e\n\u003cli\u003eAfrica Boogie\u003c\/li\u003e\n\u003cli\u003eMouna pola\u003c\/li\u003e\n\u003cli\u003eMa Marie\u003c\/li\u003e\n\u003cli\u003eManga bolo\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e*** Indie Exclusive ***\u003cbr\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3667526000067\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Diggers Factory\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.17.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Omega Music Shopify","offers":[{"title":"Default Title","offer_id":48089770983642,"sku":"N3667526000067","price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0791\/5539\/6826\/files\/4495193-3532848.jpg?v=1782185470"},{"product_id":"pre-order-war-machine-indie-exclusive-limited-edition-indie-exclusive-lanskies","title":"Pre-Order: War Machine [Indie Exclusive] [Limited Edition] [Indie Exclusive] - Lanskies","description":"\u003cp\u003eAfter 10 years of silence, The Lanskies are back with a new album and a new line-up. The album \"War Machine\" will be released on April 17, 2026, on ZRP.Inventors of Hot Wave (as described by Tracks on Arte), The Lanskies are back to set the world on fire. An ambitious project, at the crossroads of post-punk and indie-pop influences, recorded at Studio de la Chouette and mixed by renowned sound engineer Clive Martin (Queen, The Cure, Les Wampas, Les NÃ©gresses Vertes, Stereophonics, etc.), promising a sound that is both dense and sophisticated. Eleven powerful rock tracks that blend influences (Pulp, Kaiser Chiefs, LCD Soundsystem, Talking Heads, and even Oasis) while retaining a strong sense of individuality.Led by their charismatic frontman Lewis Evans, known for their breathtaking live performances (around fifty concerts on their previous album took them from Rock en Seine to China), their concert schedule is already filling up fast with a dozen dates already announced. 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Few bands captured the theatrical danger, speed, and raw electricity of mid-'80s American metal quite like Lizzy Borden. The Murderess Metal Road Show documents the band at a moment when everything was clicking-songs sharpened by the stage, performances fueled by chaos, and a reputation that was spreading fast through the Los Angeles metal underground.Recorded live at Chuck Landis' Country Club in Reseda, California on Friday, December 13, 1985, this album arrived astonishingly early in the band's career-just one EP and one studio album in. Instead of waiting years to issue a live release, Lizzy Borden chose to capture the intensity of their shows while the danger still felt real. The result is one of the most overlooked but essential live metal albums of the era.The set explodes out of the gate with \"Council for the Cauldron, \" instantly locking into fast, aggressive California metal driven by razor-sharp riffs and Lizzy's unmistakable voice-part Halford scream, part Dickinson drama, part pure menace. Tracks like \"Warfare, \" \"No Time to Lose, \" and \"Psychopath\" showcase a band firing on all cylinders, while the theatrical pairing of \"Psychopath\" into \"Love You to Pieces\" mirrors the band's infamous stage show, where shock, story, and performance were inseparable.The album also includes a blistering cover of Paul McCartney's \"Live and Let Die, \" recorded years before Guns N' Roses made the song famous, as well as \"(Wake Up) Time to Die, \" inspired by the cult sci-fi classic Blade Runner. The show closes with \"American Metal, \" a song that would go on to become the most frequently performed track of Lizzy Borden's career-and the perfect anthem to end a live set built on volume, spectacle, and conviction.This Boone's Overstock Webstore Exclusive edition presents The Murderess Metal Road Show in it's most collectible vinyl form to date. Pressed as a 2-LP deluxe gatefold, this version is limited to just 200 copies worldwide on Red \u0026amp; Blue \"American Metal\" vinyl and includes an exclusive 8.5 x 11 set list insert featuring a printed Lizzy Borden autograph, making it the most premium version of the release.The audio has been mastered for vinyl by Rob Colwell (Helstar, Voivod, Lizzy Borden, Starwood), delivering power, clarity, and punch while preserving the raw live atmosphere. Officially licensed from Metal Blade Records, this marks the first time The Murderess Metal Road Show has ever been reissued on vinyl.Seventeen tracks are included in total, with tracks 16-17 being studio recordings, rounding out the release with added depth and historical context. A live document of Lizzy Borden in the band's theatrical prime-young, hungry, raw, aggressive, and unforgettable. 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This 2016 live recording is taken from the band's next-to-last show, at least for now, cut in an artist-run space called The Compound in their hometown of Baltimore. Peals is the project of two bassists known best for their other livewire and loud Baltimore bands: Future Islands for Cashion, Double Dagger for Willen. Technically, Double Dagger-an absolutely electrifying post-punk trio-had reached it's end just as Cashion and Willen began talking about trying to make music together, but that context never really mattered.Peals emerged at an inconvenient moment for their sort of instrumental wonder. The noisy international explorations of great acts like Yellow Swans, Growing, and Fuck Buttons (all duos, mind you) had mostly subsided before Peals played their first show in April 2012. And the current bloom in New Age and ambient music was very much still germinating, those terms still catching substantial side-eye from arbiters of acceptability. 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Produced by Alex Maas (The Black Angels), mixed by Jim Eno (Spoon) and mastered by Howie Weinberg, the band recently completed a U.S. tour with Melody's Echo Chamber and has shared stages with The Jesus and Mary Chain, The Brian Jonestown Massacre, Kikagaku Moyo and The Black Angels. Emerging from Austin's renowned psych scene, Strange Lot are quickly establishing themselves as one of the city's most exciting new bands. 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Through his own growth in and out of Smidley, though, art and life itself have entered into an ongoing cycle of redefinition. This redefinition isn't a destination, but a new pathway paved by Murphy's gratitude for and security in the artist, husband, and man that he's become. Smidley's third album, Murphy Horse, soundtracks this journey. Though doubt remains a recurring obstacle for Murphy, each Smidley song brings him back home to love. The doubt present in the dramatic, sparsely percussive opener \"Corpse Flower,\" melts away by the first hook of the quirky-yet-danceable \"Capstone,\" just before a breathy feature from Grammy award-winning artist Lucy Dacus culminates in the duo proclaiming, \"All this loving you has been the capstone of my life.\" Murphy chides himself for being too career-driven and fantasizing about freedom from such earthly woes over a bittersweet melody on the album's title track, his spiral repeatedly interrupted by his wife yelling \"Hey!\" throughout the song. The explosive and vibrant \"Love In Every Direction,\" sees Murphy lamenting this single-mindedness in the face of all he truly has over an effortlessly danceable indie pop composition that feels destined to create a series of massively emotional festival performances. 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The 17-track set moves through catalog highlights including \"Shades of Gray, \" \"I'm Goin' to Town, \" \"The Road Goes On Forever, \" \"Merry Christmas From the Family, \" \"Snowin' on Raton, \" and \"Feelin' Good Again, \" covering the full range of what makes Keen essential - road-worn humor, plainspoken heartbreak, and characters drawn with uncommon specificity.Keen has described his writing process as thinking in pictures - snapshots from memory or observation - and sitting down with a guitar to describe what he sees until a story takes shape. That intimacy translates powerfully in a live setting. This 2-disc set is now available on vinyl for the first time ever.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDreadful Selfish Crime\u003c\/li\u003e\n\u003cli\u003eBlow You Away\u003c\/li\u003e\n\u003cli\u003eShades of Gray\u003c\/li\u003e\n\u003cli\u003eI'm Goin' to Town\u003c\/li\u003e\n\u003cli\u003eThat Buckin' Song\u003c\/li\u003e\n\u003cli\u003eI Still Miss Someone\u003c\/li\u003e\n\u003cli\u003eThe Coming Home of the Son ; Brother\u003c\/li\u003e\n\u003cli\u003eThe Road Goes on Forever\u003c\/li\u003e\n\u003cli\u003eMerry Christmas from the Family\u003c\/li\u003e\n\u003cli\u003eSnowin' on Raton\u003c\/li\u003e\n\u003cli\u003eNot a Drop of Rain\u003c\/li\u003e\n\u003cli\u003eWild Wind\u003c\/li\u003e\n\u003cli\u003eGoin' Nowhere Blues\u003c\/li\u003e\n\u003cli\u003eDown That Dusty Trail\u003c\/li\u003e\n\u003cli\u003eFeelin' Good Again\u003c\/li\u003e\n\u003cli\u003eWalkin' Cane\u003c\/li\u003e\n\u003cli\u003eTravelin' Light\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e*** Indie Exclusive ***\u003cbr\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396706914\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.21.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Omega Music Shopify","offers":[{"title":"Default Title","offer_id":48122147602650,"sku":"N607396706914","price":38.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0791\/5539\/6826\/files\/4523388-3624293.jpg?v=1782742931"},{"product_id":"pre-order-live-from-austin-tx-indie-exclusive-red-white-blue-blue-asleep-at-the-wheel","title":"Pre-Order: Live From Austin, Tx [Indie Exclusive] Red, White, Blue (Blue) - Asleep At The Wheel","description":"\u003cp\u003eIt all began with Asleep at the Wheel. Willie Nelson may have done the original Austin City Limits pilot, but the Wheel was the first act to perform on the first episode of the very first season in 1976. Nearly two decades later, they returned to that same stage for a performance that would become one of the most celebrated in the series' storied history.Recorded on October 14, 1992, Live From Austin, TX captures Ray Benson and his band at the peak of their powers - a swinging, rollicking 14-song set that moves from Western Swing barnburners to jazz-inflected shuffles with the confidence of a band that has spent decades making this music it's own. Highlights include \"Miles and Miles of Texas, \" \"Hot Rod Lincoln, \" \"Boot Scoot Boogie, \" and a scorching run through \"(Get Your Kicks on) Route 66.\"But the performance reaches another level entirely in it's second half. Several original members of Bob Wills' Texas Playboys - pioneering electric guitarist Eldon Shamblin, singer Leon Rausch, pedal steel player Herb Remington, and virtuoso fiddler Johnny Gimble - join the Wheel onstage for a series of Wills classics that serve as both a living tribute and a direct passing of the torch. \"Corine, Corina, \" \"Roly Poly, \" \"Blues for Dixie, \" and \"Sugar Moon\" have rarely sounded more alive.AllMusic called the performance \"special, \" noting that the band is \"so relaxed, open, and in the groove\" that it stands out even among their finest live recordings. 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Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes, sold out shows across multiple continents, to seeing some of today’s most influential artists cover his songs (MJ Lenderman, Hayley Williams, Jeff Tweedy, Cameron Winter), the ascending songwriter has found his stride. 'The Singer in My Band' takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes, at once both strangely familiar and endearingly offbeat in Amos’ signature style.\u003c\/p\u003e\r\n\u003cp\u003eWritten while touring the globe in support of releases from both his bands, 'The Singer in My Band' arrives as the first true “road record” in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments,” he recalls, “so instead of being home and writing on the guitar or a computer, they developed slowly and subconsciously, existing as a sort of intangible thing while looking out the van window.”\u003c\/p\u003e\r\n\u003cp\u003eFor many years, Amos’ This Is Lorelei project was known only to a close knit group of creatives in Chicago, where he relocated in his early 20s and produced hundreds of albums and EP’s, tracing the outlines for both of his prolific projects before relocating to New York. In the time since, he’s flourished as a wildly creative polymath who is equally adept at slinging heartworn hooks and eyeball-exploding art-pop. These are songs about songwriting as a way of life – messy, debilitating, transcendent – from one of the most gifted contemporary interpreters of the form.\"\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Will Eat My Heart in the Morning Light\u003c\/li\u003e\n\u003cli\u003eOh No Now My\u003c\/li\u003e\n\u003cli\u003eBilly Came Back\u003c\/li\u003e\n\u003cli\u003eWatching Heaven Fall\u003c\/li\u003e\n\u003cli\u003eSailing (Your Baby's Down)\u003c\/li\u003e\n\u003cli\u003eThe Singer in My Band\u003c\/li\u003e\n\u003cli\u003eNitro\u003c\/li\u003e\n\u003cli\u003eHey Sarah Is It Gonna Rain Forever\u003c\/li\u003e\n\u003cli\u003eThe Kid with the Crown\u003c\/li\u003e\n\u003cli\u003eAnd I Haven't Seen My Love in Quite a While\u003c\/li\u003e\n\u003cli\u003eDon't You Cry in Lonesomeness\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e*** Indie Exclusive ***\u003cbr\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191401221702\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Matador Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.11.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Omega Music Shopify","offers":[{"title":"Default Title","offer_id":48122148585690,"sku":"N191401221702","price":33.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0791\/5539\/6826\/files\/4523214-3629335.jpg?v=1782742940"},{"product_id":"pre-order-live-from-austin-tx-indie-exclusive-red-white-blue-blue-texas-tornados","title":"Pre-Order: Live From Austin, Tx [Indie Exclusive] Red, White, Blue (Blue) - Texas Tornados","description":"\u003cp\u003eCall it serendipity or genius, but when four legends of Texas music pooled their talents in December 1989, a new sound was born: the Texas Tornados. Freddy Fender. Doug Sahm. Augie Meyers. Flaco Jimenez. Four careers' worth of Texas music royalty, united on a single stage - and on October 16, 1990, just one year into their run, they took that stage at Austin City Limits and delivered a performance for the ages.Fender was already a mega-star behind \"Wasted Days and Wasted Nights\" and \"Before the Next Teardrop Falls.\" Sahm and Meyers had built their legend with the Sir Douglas Quintet in San Antonio, combining psychedelia, Gulf Coast blues, and spicy conjunto into a sound that shook up the pop charts with \"She's About a Mover.\" And Flaco Jimenez, alongside his father and brother, had helped invent an entire genre - blending Mexican NorteÃ±o music with German and Czech polkas and waltzes into something completely his own. Together, they were unstoppable. The 19-song set sweeps through Tex-Mex, blues, country, rock and roll, and conjunto with the loose, joyful energy of a band still reveling in the magic of what they'd created. From the bilingual tenderness of \"She Never Spoke Spanish to Me\" to the barn-burning finale of \"She's About a Mover\" and \"96 Tears, \" every song crackles with the chemistry of four old friends who knew exactly how lucky they were to be sharing that stage.This Tex-Mex revue created a raucous, infectious, danceable sound that ranks as an all-time Austin City Limits favorite. Now on vinyl for the first time, it sounds exactly like it was always meant to.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSoy de San Luis\u003c\/li\u003e\n\u003cli\u003eA Man Can Cry\u003c\/li\u003e\n\u003cli\u003e(Hey Baby) Que Paso\u003c\/li\u003e\n\u003cli\u003eLaredo Rose\u003c\/li\u003e\n\u003cli\u003eAy Te Dejo en San Antonio\u003c\/li\u003e\n\u003cli\u003eCancion Mixteca\u003c\/li\u003e\n\u003cli\u003eDinero\u003c\/li\u003e\n\u003cli\u003eMathilda\u003c\/li\u003e\n\u003cli\u003eAdios Mexico\u003c\/li\u003e\n\u003cli\u003eShe Never Spoke Spanish to Me\u003c\/li\u003e\n\u003cli\u003eHoly One\u003c\/li\u003e\n\u003cli\u003eMendocino\u003c\/li\u003e\n\u003cli\u003eWasted Days ; Wasted Nights\u003c\/li\u003e\n\u003cli\u003eBaby What You Want Me to Do\u003c\/li\u003e\n\u003cli\u003eIf That's What You're Thinking\u003c\/li\u003e\n\u003cli\u003eWho Were You Thinkin' of\u003c\/li\u003e\n\u003cli\u003eBefore the Next Teardrop Falls\u003c\/li\u003e\n\u003cli\u003eShe's About a Mover\u003c\/li\u003e\n\u003cli\u003eTears\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e*** Indie Exclusive ***\u003cbr\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396705818\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.16.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Omega Music Shopify","offers":[{"title":"Default Title","offer_id":48122148815066,"sku":"N607396705818","price":38.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0791\/5539\/6826\/files\/4523387-3624292.jpg?v=1782742943"},{"product_id":"pre-order-chin-up-beautiful-indie-exclusive-silver-galaxy-jutes","title":"Pre-Order: Chin Up Beautiful [Indie Exclusive Silver Galaxy] - Jutes","description":"\u003cp\u003eChin Up, Beautiful, Jutes’ fourth album, invites fans to experience a futuristic, post-apocalyptic world, drawing inspiration from Deftones, The Neighourhood and The Walking Dead.  Featuring the singles “Disassociate, “White Butterflies,” and “Chin Up, Beautiful,” the CD also includes 3 additional exclusive tracks. 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Following her acclaimed 2023 self-titled debut and 2025's If You Asked For A Picture, the 11-track Violins trades the veil of bad romantic relationships for something braver, asking how we balance the world's violence with its beauty across songs about troubled friendships, religion, the body, and the long, unglamorous work of healing. It's an album of grandeur, drama, and tragedy, built on virtuoso hooks, swelling guitars, and big lead lines, pulling in fresh touchstones from Gang of Four, Teenage Fanclub, The Go-Betweens, and Sade, alongside lyrical nods to Leonard Cohen and Pavement. From the anthemic frenemy portrait of \"Heart Has To Work So Hard\" to the sunny, insomniac daydream of \"Lucky\" and the disarming closer \"Fur Elise,\" Violins captures the sound of an artist who has stopped overexplaining and started rendering art on her own terms.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e*** Indie Exclusive ***\u003cbr\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 720841307037\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Partisan Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.25.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP\u003c\/p\u003e\u003c\/div\u003e","brand":"Omega Music Shopify","offers":[{"title":"Default Title","offer_id":48122150027482,"sku":"N720841307037","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0791\/5539\/6826\/files\/4524711-3628917.jpg?v=1782742955"},{"product_id":"pre-order-play-boy-indie-exclusive-colored-vinyl-indie-exclusive-jason-scott-the-high-heat","title":"Pre-Order: Play Boy [Indie Exclusive] [Colored Vinyl] [Indie Exclusive] - Jason Scott  \u0026 The High Heat","description":"\u003cp\u003eBorn and raised in Oklahoma City, Jason Scott \u0026amp; The High Heat return with their boldest statement yet on Play Boy, a gritty, swagger-filled collection that pushes the band's signature blend of heartland rock, Americana soul, and country grit into new territory. Following the breakout success of American Grin and viral momentum surrounding \"Too Good Too Bad,\" Play Boy captures the chaos, charm, and late-night recklessness that have made the band one of the most exciting rising acts in roots-driven country music. Fueled by razor-sharp songwriting, lived-in storytelling, and the electrifying chemistry that's earned them stages alongside acts like Morgan Wallen, Wyatt Flores, and 49 Winchester, Play Boy leans into the band's wild side without losing the honesty and substance at the core of their music. Equal parts dive-bar confession, desert highway soundtrack, and modern outlaw anthem, the album reflects a band fully embracing who they are: loud, fearless, and impossible to box in. Visually, Play Boy trades polished Nashville gloss for a neon-drenched fever dream of motel rooms, casino lights, cigarette smoke, pink velvet, and after-midnight chaos. Pulling from vintage Vegas decadence, roadside Americana, and outlaw-country swagger, the album's branding blurs the line between glamour and grime, capturing a world where heartbreak, bad decisions, and high-stakes nights collide under flickering marquee lights. From polaroid-style imagery and lipstick-stained aesthetics to smoky dressing rooms and dive-bar romance, Play Boy feels cinematic, dangerous, and undeniably alive.The physical edition of Play Boy delivers a premium collector experience for fans, featuring expanded artwork, full contributor information and packaging that mirrors the album's rugged yet cinematic aesthetic. 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Five of American music's most enduring voices - Willie Nelson, Waylon Jennings, Kris Kristofferson, Billy Joe Shaver, and Kimmie Rhodes - gathered on the Austin City Limits stage for an intimate songwriter's pull that felt less like a television taping and more like a living room session between old friends.The guitar pull is one of country music's most cherished traditions - informal, round-robin performances where songwriters take turns sharing material for their mutual enjoyment. Rarely, if ever, has the format been executed at this level. The brotherly bond between Jennings, Nelson, and Kristofferson - three-fourths of the legendary Highwaymen - is palpable throughout, while Shaver and Rhodes hold their own among giants with ease. The setlist reads like a masterclass in American songwriting. Highlights include Nelson and Kristofferson trading verses on \"We Don't Run,\" Shaver's stark, unaccompanied \"First and Last Time,\" Jennings' tender \"Just Watch Your Mama and Me,\" and the closing communal singalong on \"On the Road Again.\" Each artist played a few of their favorites, swapping stories and laughs, amid a sense that what was being witnessed might never happen again. It never did. Now, for the first time, this historic performance comes to vinyl - the format these songs were born to inhabit. 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Recorded with acclaimed producer Jamie Squire (The 1975), the album captures the band at their most honest, blending heartfelt songwriting with the energy and spirit that have made them one of Scotland's most beloved musical exports.Across 13 tracks, Skerryvore weave together their signature mix of soaring melodies, powerful storytelling and roots-driven musicianship. From the uplifting title track, inspired by the village of Tiree and the band's early days, to the poignant tribute \"Singing Up In Heaven\", the album explores themes of love, loss, resilience and self-discovery. Highlights include the emotionally charged \"The Game\", the euphoric \"To Be With Your Eyes\", and the stunning duet \"While I'm Breathing\", featuring acclaimed singer-songwriter Tamzene.For more than two decades, Skerryvore have captivated audiences around the world with their unique fusion of folk, rock and Celtic influences. On Beautiful Mistakes, they continue to push their sound forward while staying true to the passion and authenticity at the heart of their music.A powerful and uplifting collection of songs, Beautiful Mistakes showcases Skerryvore at the peak of their creative powers and confirms their place as one of the UK's leading contemporary folk bands.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eScarinish\u003c\/li\u003e\n\u003cli\u003eFly\u003c\/li\u003e\n\u003cli\u003eSinging Up in Heaven\u003c\/li\u003e\n\u003cli\u003eThe Game\u003c\/li\u003e\n\u003cli\u003eIn Your Eyes\u003c\/li\u003e\n\u003cli\u003eGold in the Lost and Found\u003c\/li\u003e\n\u003cli\u003eWhile I'm Breathing (FT. 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Rooted in his formative childhood years in the small town of Nephi, Utah, the timeless sonic approach proves to be the ideal home for Flowers’ most personal and vulnerable songwriting yet. 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Sprague builds an intricate world, expanding a sonic register that is both familiar and viscerally new, reflecting the synthesist and composer's internal register with mirrors to alternate realms. Cyano was conjured through ideas of an imagined planet whose inhabitants are rebuilding forbidden capacities for expressivity and emotional connection. An arc of faithful gestures, Cyano is meditation on visibility, psychic transformation, light transmission, and worlds beyond our knowing. It revels in configurations of connective possibility, where shadow and vision meet incisive truth.In a pivotal moment of re-engaging film photography around 2019, Sprague became transfixed by cyanotypes and the work of Anna Atkins, a botanist and photographer who documented flowers through cyano methods. The emotional tenor of Atkins' images sparked narrative threads of a character who lived on a faraway planet, 'Cyano'-once like Earth-destroyed by misunderstanding and forced into a pseudo-mutuality that eschewed individuality for assimilated symbiosis. Through sensitive attempts, the Cyanic character reintroduces autonomous desire, empathic drive, and authentic expression to their world -part memory, grain, and symbol. Through Cyano, Sprague seeks to find a sonic and environmental palette for what this world felt like: familiar yet utterly foreign, sounds that might seem like piano or guitar, but not quite; a continuum that bridges various relational territories-with self, other, ecology, and life in a distant world. Cyano yields an egress for conjuring expressivity, a tool to bridge understanding amidst spectacular and abrading textures of an evolving world.In Cyano, experimental, formless music deconstructs the more traditional songwriting found on Florist tracks. Spontaneous patching and sounds from Sprague's earliest modular synth experiments in 2016 usher a visitation to prior eras and internal worlds, tracing memory and desire through illuminated streaks. Opening track \"\"Double Moon,\"\" featuring Sprague's partner and collaborator V Haddad, foregrounds the parallel realm of Cyano. Audial elements emerge and dissipate in dappled oscillation, marked by patched gradients, frosted angles, and warm, melodic ripples.Sprague's musical approach is marked by a deeply personal atmosphere, rooted in unearthing histories of self and other-modes of intrapersonal and interpersonal connection-and the mercuriality of these attempts. Through intimate phenomenological exploration, Cyano offers subtle and striking textures that embrace vulnerability. Studio recordings and performances alike serve as a vehicle for Sprague to connect meaningfully with listeners across time, tethered in emotional coherence despite disparate geographies. On Cyano, all sounds are synthesized, with no samples or acoustic instruments, and the record introduces singing into Sprague's previously-instrumental personal, a bridging of wordless and lyrical music.With more Cyano composition in ideation, this album marks a first offering, intentionally primitive and minimal, a static-y transmission from the place very far away where it all resides. Sprague's search for feeling, language, and sound brings new arrangement to psychic matter, life force running through a riparian garden into the sea. 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Two decades. Heavier than ever. \u003c\/p\u003e\r\n\u003cp class=\"MsoNormal\"\u003eLegacy celebrates 20 years of Five Finger Death Punch with some of the most aggressive, dynamic, and ambitious music of the band's career. Written over three years and crafted from nearly 30 songs, the new album reconnects with the grit and intensity that defined 5FDP's early years. Fueled by massive riffs, unforgettable hooks, and commanding vocal performance, Legacy stands as both a tribute to the band's journey and a bold statement of what's still to come.\u003c\/p\u003e\r\n\u003cp class=\"MsoNormal\"\u003eLegacy is available on indie exclusive vinyl, CD, and cassette. The CD features an alternate cover and disc art, while the vinyl offers an exclusive amber wave vinyl packaged in an alternate art gatefold jacket. \u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLegacy\u003c\/li\u003e\n\u003cli\u003eDe Oppresso Liber\u003c\/li\u003e\n\u003cli\u003eEye Of The Storm\u003c\/li\u003e\n\u003cli\u003eNails In The Coffin\u003c\/li\u003e\n\u003cli\u003eIn Time\u003c\/li\u003e\n\u003cli\u003eUnscathed\u003c\/li\u003e\n\u003cli\u003eJoke’s On Me\u003c\/li\u003e\n\u003cli\u003eEverybody Lies\u003c\/li\u003e\n\u003cli\u003eShelter\u003c\/li\u003e\n\u003cli\u003eScapegoat\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e*** Indie Exclusive ***\u003cbr\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 810202539563\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Better Noise Music\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.18.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Omega Music Shopify","offers":[{"title":"Default Title","offer_id":48122158481626,"sku":"N810202539563","price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0791\/5539\/6826\/files\/4525668-3632599.jpg?v=1782743041"},{"product_id":"pre-order-hard-life-indie-exclusive-blue-blue-camo-colored-vinyl-ylw-tubs","title":"Pre-Order: Hard Life [Indie Exclusive] Blue (Blue) (Camo) [Colored Vinyl] (Ylw) - Tubs","description":"\u003cp\u003eUpon arriving in the USA for The Tubs' first tour of the country, frontman Owen Williams told The New Yorker, \"\"We're here to unite the country. We're gonna come, like, three times. By that point, I think this place will start healing.\"\" Then, joyously, they did just that, piling into a van and criss-crossing the States, bringing their literary, bleary-eyed, world-weary, night-of-your-life highwire act to the masses when it was needed most.The Tubs have never lacked for ambition - on Hard Life, theirs is to complicate the Tub-ullar experience. Having perfected their chemistry across two prior albums, hundreds of shows, and an ever-expanding universe of bands affiliated with London's Gob Nation Collective (The TSG, Sniffany \u0026amp; The Nits, Spike, and Garden Centre), the London-based Celtic jangle boyband- Williams (vocals, guitar, keyboards, bass), Dan Lucas (guitar), Taylor Stewart (drums), and Max Warren (bass)- push themselves further into the shimmering heart of virtuosic indie rock. They're joined by frequent collaborators Lan McArdle (vocals), George Nicholls (guitar), and Rachel Kenedy (keyboards), all of whom have orbited various Tubs-adjacent efforts dating back to Joanna Gruesome, but the secret to Hard Life's lushness is the addition of fiddle player Chris Haigh, an instructor and session musician who left an indelible mark on British pop on Steps' \"\"5, 6, 7, 8.\"\"Mirroring Williams' use of trilling on vocal melodies, Haigh's fiddle shades the vocalist's rueful croon like a bruise. On \"\"Stoop to Me, \"\" the folkiest, jangliest pop song on the album, Haigh's licks complement Williams at his most self-deprecating, the lopsided smile of a guy trying not to let on how wounded he is in unrequited love. On album opener and title track \"\"Hard Life, \"\" it's the sweetness of the ascending fiddle lines in the mix that weds the harshness of Williams' lyrics to The Tubs' fist-pumping anthemics.The hard line Williams takes here and elsewhere on Hard Life further troubles one's idea of a Tubs song. The persona familiar to listeners of Cotton Crown and Dead Meat - to quote Williams, \"\"navel gazing about romantic abjection, London squalor, and the indignities of grief and OCD\"\" - is still present, but so too is a second voice, steelier and more experienced. \"\"The second persona doesn't have much time for the first, \"\" Williams explains, \"\"often haranguing him for his self-indulgence and immaturity; sometimes fairly, sometimes unfairly.\"\"It's the scold who takes center stage on lead single \"\"Who's Gonna Love You Now?\"\" His questions, from the titular one to more concrete concerns like \"\"Who's gonna pay the rent?\"\" existing in mocking opposition to ideas like moving to the city and really starting to live. Though Williams plays the crank, the song is a raver, guitars ringing out over an organ- brightened horizon. \"\"It's your life, \"\" Williams sings, the life chugging away beneath him sounding exceptionally keen. He wouldn't have much sympathy for the lovelorn Williams of \"\"If You Don't Love Me\"\" - hell, his whole existence seems like a warning that the kinds of romantic entanglements one suffers when they're young will end in loneliness, failure, and an inbox choked with unread Substacks.On Hard Life, these voices argue, pester one another, merge into each other, and break apart, sometimes over the course of a single song. They're two sides of the same coin, people who've experienced grief, disappointment, regret, and shame, emerging from the wreckage as changed men. \"\"I'm interested in the way sympathy and patience for someone suffering always runs out eventually, \"\" Williams says. \"\"How this can be a good and liberating thing as well as a sad and brutal thing. But mostly they're just pop songs.\"\" Exquisite, irresistible pop songs. 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A heartfelt ode to the city of New York Sam now calls home, Hazel Eyes captures themes of emotional vulnerability, artistic freedom, and self-reflection. Created alongside longtime collaborator and friend Simon Aldred, the album includes the new single “My Guy,” along with “To Be Free” and “Love Is A Stillness.”\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e*** Indie Exclusive ***\u003cbr\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602488167055\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.21.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP\u003c\/p\u003e\u003c\/div\u003e","brand":"Omega Music Shopify","offers":[{"title":"Default Title","offer_id":48122160283866,"sku":"N602488167055","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0791\/5539\/6826\/files\/418467319879_1000.png?v=1782743060"},{"product_id":"pre-order-kill-the-king-indie-exclusive-blk-colored-vinyl-gry-ofgv-t-i","title":"Pre-Order: Kill The King [Indie Exclusive] (Blk) [Colored Vinyl] (Gry) (Ofgv) - T.I.","description":"\u003cp\u003eCapping off a dominant, ground-breaking career spanning nearly 25 years, T.I.'s legacy speaksfor itself. The rap pioneer boasts three Grammy Awards, five certified-Platinum albums,including the 4x Multi-Platinum Paper Trail and 2x Multi-Platinum King, and over 30 millionsingles sold worldwide. His influence on the Southern hip-hop landscape is immeasurable, andKILL THE KING serves as the definitive victory lap. T.I. shares his inspiration behind the albumtitle by saying, \"\"KILL THE KING is all about killing the ego.\"\"To celebrate the release of his momentous final project, T.I. has unveiled the official music videofor his latest single, \"\"And Won't\"\" featuring R\u0026amp;B superstar Summer Walker, will bereleasing later today. The stunning visual is an ultimate homage to his city, shot entirely at theiconic Mercedes Benz Dome in Atlanta, home to the Atlanta Falcons and Atlanta United, twocornerstone franchises with which T.I. shares deep, longstanding ties.The road to KILL THE KING has already been paved with massive success. The album campaignkicked off with the triumphant reunion of Tip and super-producer Pharrell Williams on the hitsingle \"\"Let 'Em Know.\"\" The track completely dominated the airwaves, becoming the firstrecord released T.I. year to be Certified Gold by the RIAA, and securing the #1 spot at bothUrban and Rhythmic Radio as well as hitting Top 40 on the Billboard Hot 100. T.I. continued toelevate the album's sonic landscape by collaborating with the esteemed HBCU TuskegeeMarching Red Pipers on the deeply resonant \"\"Trauma Bond,\"\" before teaming up with Pharrellonce again for the swagger-heavy anthem \"\"Mr. HIM.\"\"\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA King's Thought (Feat. Heiress Harris)\u003c\/li\u003e\n\u003cli\u003eSee Wh'am Sayin (Feat. Young Dro)\u003c\/li\u003e\n\u003cli\u003eLet 'Em Know\u003c\/li\u003e\n\u003cli\u003eWhere I'm from (Feat. 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The album expands on 2015’s album Sound \u0026amp; Color’s unfettered exploration, leaning toward a viscerally charged form of psychedelic soul. Produced by Alabama Shakes and their repeat collaborator Shawn Everett, the album came to life at Nashville’s Sound Emporium Studios and Blackbird Studio. While the album sustains their signature intensity, its songs often wander into more lush and otherworldly terrain, revealing a more exacting command of atmosphere and space.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e*** Indie Exclusive ***\u003cbr\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 881061002864\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Island\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.28.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP\u003c\/p\u003e\u003c\/div\u003e","brand":"Omega Music Shopify","offers":[{"title":"Default Title","offer_id":48235008590042,"sku":"N881061002864","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0791\/5539\/6826\/files\/418467320835_1000.png?v=1784303258"},{"product_id":"pre-order-i-lay-down-my-life-for-you-indie-exclusive-colored-vinyl-indie-exclusive-jpegmafia","title":"Pre-Order: I Lay Down My Life For You [Indie Exclusive] [Colored Vinyl] [Indie Exclusive] - JPEGMAFIA","description":"\u003cp\u003eGraphite Indie Exclusive Vinyl. \"\"I Lay Down My Life for You\"\" (2024) is JPEGMAFIA's melodic fifth studio album, produced entirely by him and featuring Vince Staples and Denzel Curry.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e*** Indie Exclusive ***\u003cbr\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 840526513802\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Peggy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.16.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP\u003c\/p\u003e\u003c\/div\u003e","brand":"Omega Music Shopify","offers":[{"title":"Default Title","offer_id":48235008655578,"sku":"N840526513802","price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0791\/5539\/6826\/files\/4528846-3669303.jpg?v=1784303258"},{"product_id":"pre-order-pugnello-indie-exclusive-pearl-deluxe-edition-gilla-band","title":"Pre-Order: Pugnello [Indie Exclusive Pearl - Deluxe Edition] - Gilla Band","description":"\u003cp\u003eGilla Band never know where they're going next. For over ten years now, the Dublin quartet - vocalist Dara Kiely, guitarist Alan Duggan Borges, bassist Daniel Fox, and drummer Adam Faulkner - have been redefining what you could loosely call \"\"rock music\"\" in the 21st century, influencing a wide swath of similarly forward-thinking guitar acts along the way. Across 2015's Holding Hands With Jamie, 2019's The Talkies, and 2022's Most Normal, the band perfected a vision that wasn't quite post-punk, wasn't quite noise-rock, wasn't quite anything besides an idiosyncratic, ground-breaking hybrid that could only come from the four of them. As soon as they submitted Most Normal for mastering, they began the patient search for their next destination. Over time, the process led them to their fourth album Pugnello, the boldest left turn in a career full of them.In the four years since Most Normal, each member embarked on other artistic endeavors. Kiely fostered a newfound love of painting, Faulkner played drums for Lankum on the road, Fox became an increasingly in-demand producer guiding ascendant acts like Sprints, Lambrini Girls, and Mandy, Indiana, while Duggan Borges launched his solo project the Null Club with collaborations featuring Mandy, Indiana's Valentine Caulfield, the Horrors' Faris Badwan, Miss Grit, and Brooklyn MC Elucid. 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